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[39] [40] When the colonial European officials began arriving in India, the Kathak court entertainment they witnessed was a synthesis of the ancient Indian tradition and Central Asian-Persian dance form, and the Kathak dance performers were called the "nautch girls" (or natch, a derivative of the more difficult to pronounce Sanskrit natya). [15 ...
The following is a list of the Gurus of the Lucknow Gharana, beginning with the disciples of Ishwari Prasad: [2]. Wajid Ali Shah (1822 – 1887, Nawab of Oudh and patron of the arts)
In Kathak performers today generally draw their lineage from four major schools of Kathak: the Jaipur-Atrauli gharana, the Lucknow dance gharana, the Benares gharana (born in the courts of the Kachwaha Rajput kings, the Nawab of Oudh, and Varanasi respectively.) and the Raigarh gharana (born in the court of Maharaja Chakradhar Singh of Raigarh.)
The Natya Shastra portrays Shiva narrating about the various aspects of the dance to the god Brahma. [4] The 32 Angaharas and 108 Karanas are discussed by Bharata in the 4th chapter of the Natya Shastra, Tandava Lakshanam. [11] Karana is the combination of hand gestures with feet to form a dance posture. Angahara is composed of seven or more ...
Thakur Prasadji was his Kathak guru, and the unforgettable Kalka-Binda brothers performed in his court. What with the grand pageantry of the Rahas, Jogiya Jashan, Dance-dramas, and Kathak performances, Lucknow became the magnetic cultural centre where the most reputed musicians, dancers and poets of the time flourished.
Shambhu Maharaj was born in Lucknow as Shambhunath Mishra. He was the youngest son of Kalka Prasad Maharaj who was at the court of the Nawab of Awadh Wajid Ali Shah.Kalka Prasad's father was Thakur Prasad was known to have taught the intricacies of Kathak to the Nawab.
The end of princely states in post-independence after 1947, brought an end of royal patronage to Kathak exponents as well as gurus. Many started teaching privately. Earlier, under the patronage of Awadh state, Lachhu Maharaj moved to Bombay, while his brother, Shambhu Maharaj, and his nephew moved to Delhi in 1955.
Maharaj started teaching the dance form at the age of thirteen, at the Sangeet Bharti in New Delhi.He then taught at the Bharatiya Kala Kendra in Delhi, and at the Kathak Kendra (a unit of the Sangeet Natak Akademi) where he was Head of Faculty, and director, retiring in 1998 [9] after which he opened his own dance school, Kalashram, also in Delhi.