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The gigue (/ ʒ iː ɡ / ZHEEG, French:) or giga (Italian: [ˈd͡ʒiːɡa]) is a lively baroque dance originating from the English jig. It was imported into France in the mid-17th century [2] and usually appears at the end of a suite. The gigue was probably never a court dance, but it was danced by nobility on social occasions and several court ...
The main style is a classic two-step form of a six-count East Coast Swing, which is differentiated from the one-step Cajun Jig. The other is considered a cowboy-style of Jitterbug or swing dance , also referred to as the Lake Charles Slide , the Cowboy Jitterbug and the Whiskey River Jitterbug .
The jig (Irish: port, Scottish Gaelic: port-cruinn) is a form of lively folk dance in compound metre, as well as the accompanying dance tune. It first gained popularity in 16th-century England, Ireland, Scotland, and other parts of the British Isles, [ 1 ] [ 2 ] and was adopted on mainland Europe where it eventually became the final movement of ...
Garryowen" is an Irish tune for a jig dance. It has become well known as a marching tune in Commonwealth and American military units, most famously George Armstrong Custer 's 7th Cavalry Regiment . History
The Cajun jig is danced to fast or slow. [3] Cajun music played under 2 4 or 4 4 timing, associated with the two-step, rather than one-step blues time or 3 4 timing associated with a waltz. The Cajun Jig shares vague similarity to Merengue. Despite the single-like step, variations of the handhold combined with turns give the dance infinite ...
These steps were to be danced to the tune "Whistle O'er the Lave o't", though the same steps were said to be danced to the "Irish Washerwoman" jig on St. Patrick's Night. An anonymous manuscript dating to 1826 describes both Irish and Scottish seann triubhas (spelled Shauntreuse in the manuscript) steps, but tunes for these dances are not ...
The Red River Jig is a traditional dance and accompanying fiddle tune, culturally relevant to both the Canadian Métis and the First Nations. [1] The dance’s performers and fiddlers currently and historically includes individuals identifying as First Nations, French Canadian, or Scottish Canadians, as well as others involved in the expansive 19th century fur trade. [1]
Walsh soon left his dancing career to concentrate on choreography, musical staging, and direction. His credits include The Best Little Whorehouse in Texas (1978 and 1982) with Chorus cast member Pam Blair, The 1940's Radio Hour (1979), A Day in Hollywood/A Night in the Ukraine (1980), with Chorus cast member Priscilla Lopez, Do Black Patent Leather Shoes Really Reflect Up?