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Both movements shared interests in primitivist art and in the expressing of extreme emotion through high-keyed colors that were very often non-naturalistic. Both movements employed a drawing technique that was crude, and both groups shared an antipathy to complete abstraction. The Brücke artists' emotionally agitated paintings of city streets ...
Lumpers and splitters are opposing factions in any academic discipline that has to place individual examples into rigorously defined categories.The lumper–splitter problem occurs when there is the desire to create classifications and assign examples to them, for example, schools of literature, biological taxa, and so on.
Glittering Images: A Journey Through Art from Egypt to Star Wars is a 2012 book by American cultural critic Camille Paglia, in which the author discusses notable works of applied and visual art from ancient to modern times. Paglia wrote that she intended it to be a personalized "journey" through art history, focusing on Western works.
Art history . . . is a malleable discipline, but understanding developments in art depends on it—or at the very least is enhanced by it.
Cover of the first edition, 1950. The Story of Art, by E. H. Gombrich, is a survey of the history of art from ancient times to the modern era. [1]First published in 1950 by Phaidon, the book is widely regarded both as a seminal work of criticism and as one of the most accessible introductions to the visual arts.
Gardner's Art through the Ages is an American textbook on the history of art, with the 2004 edition by Fred S. Kleiner and Christin J. Mamiya. The 2001 edition was awarded both a McGuffey award for longevity [1] and the "Texty" Award for current editions [2] by the Text and Academic Authors Association.
The art of the Middle Ages was mainly religious, reflecting the relationship between God and man, created in His image. The animal often appears confronted or dominated by man, but a second current of thought stemming from Saint Paul and Aristotle, which developed from the 12th century onwards, includes animals and humans in the same community of living creatures.
Art and Illusion, A Study in the Psychology of Pictorial Representation, is a 1960 book of art theory and history by Ernst Gombrich, derived from the 1956 A. W. Mellon Lectures in the Fine Arts.