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Quick Draw was himself a horse caricature that walked on two legs like a human (as did Baba Looey), and had "hands" that were hooves with thumbs and could hold objects such as guns. This enabled the show's producers to depict him riding into town on a realistic horse, and as seen in the show's opening credits, driving a stagecoach pulled by a ...
Anderson had an interest in horses and drawing. When he wasn't out riding horses, he was drawing them, taking great interest in their bone structure and conformation. Anderson started his career by illustrating for other authors, but eventually began developing texts to accompany his realistic and lively black and white drawings.
Articles concerning the appearance of the horse in any type of visual artistic format other than film and television, which are categorized under Category:Horses in film and television. Stories about horses should be categorized at Category:Fictional horses
The horse appears less frequently in modern art, partly because the horse is no longer significant either as a mode of transportation or as an implement of war. Most modern representations are of famous contemporary horses, artwork associated with horse racing, or artwork associated with the historic cowboy or Native American tradition of the ...
The Bronco Buster followed the same kind of process liberating horse and man from two-dimensionality as before. On September 13, 1898, at Camp Wickoff at Montauk Point, New York, the Rough Riders gave Theodore Roosevelt a casting of The Bronco Buster. Of the gift Remington said it was "the greatest compliment I ever had...After this everything ...
When used as an adjective, "realistic" (usually related to visual appearance) distinguishes itself from "realist" art that concerns subject matter. Similarly, the term "illusionistic" might be used when referring to the accurate rendering of visual appearances in a composition.
The materials and images were to suggest that the horses were both figure and ground, merging external world with the subject." [3] As critic Grace Glueck wrote in The New York Times in 2004, "By now Deborah Butterfield's skeletal horses, fashioned of found wood, metal and other detritus, are familiar to almost a generation of gallerygoers. Yet ...
An equestrian statue is a statue of a rider mounted on a horse, from the Latin eques, meaning 'knight', deriving from equus, meaning 'horse'. [1] A statue of a riderless horse is strictly an equine statue. A full-sized equestrian statue is a difficult and expensive object for any culture to produce, and figures have typically been portraits of ...
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