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Karl Stanley Benjamin (December 29, 1925 – July 26, 2012 [1]) was an American painter of vibrant geometric abstractions, who rose to fame in 1959 as one of four Los Angeles–based Abstract Classicists and subsequently produced a critically acclaimed body of work that explores a vast array of color relationships.
Abstract art uses visual language of shape, form, color and line to create a composition which may exist with a degree of independence from visual references in the world. [1] Abstract art, non-figurative art, non-objective art, and non-representational art are all closely related terms. They have similar, but perhaps not identical, meanings.
While best known for large-scale abstract paintings, Mehretu has experimented with prints since graduate school at the Rhode Island School of Design, where she was enrolled in the painting and printmaking program in the mid-1990s. Her exploration of printmaking began with etching.
Oil paint on card board 1909 Picture with an Archer: Museum of Modern Art, New York 175 x 144.6 1909 Wassily Kandinsky - Picture with a Riding Archer and Landscape: Private, Vienna 35.8 x 44.0 Oil on wood 1909 Kochel – Straight Street: Lenbachhaus, Munich 32.9 x 44.6 Oil on pasteboard 1909 Landscape near Murnau with Locomotive
Geometric abstraction is present among many cultures throughout history both as decorative motifs and as art pieces themselves. Islamic art, in its prohibition of depicting religious figures, is a prime example of this geometric pattern-based art, which existed centuries before the movement in Europe and in many ways influenced this Western school.
Training in the visual arts has generally been through variations of the apprentice and workshop systems. In Europe, the Renaissance movement to increase the prestige of the artist led to the academy system for training artists, and today most of the people who are pursuing a career in the arts train in art schools at tertiary levels.
Oil painting, 1984. Beksiński had no formal training as an artist. He was a graduate of the Faculty of Architecture at the Kraków Polytechnic, receiving an MSc in 1952. [2] His paintings were mainly created using oil paint on hardboard panels that he personally prepared, although he also experimented with acrylic paints.
Edward "Ed" Clark (May 6, 1926 – October 18, 2019) was an abstract expressionist painter known for his broad, powerful brushstrokes, radiant colors and large-scale canvases.