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Guys and Dolls is a musical with music and lyrics by Frank Loesser and book by Jo Swerling and Abe Burrows.It is based on "The Idyll of Miss Sarah Brown" (1933) and "Blood Pressure", which are two short stories by Damon Runyon, [1] [2] and also borrows characters and plot elements from other Runyon stories, such as "Pick the Winner".
Reprise Musical Repertory Theatre is a series of four 12" long playing vinyl albums recorded in Los Angeles in 1963. The four albums were sold through mail order as a box set in 1963, then released separately to retail in 1964. [ 1 ]
"Adelaide's Lament" is a show tune from the Broadway musical Guys and Dolls, written by Frank Loesser, which opened at the 46th Street Theatre on November 24, 1950. It was performed on stage by Vivian Blaine, [1] who later reprised her role as Miss Adelaide in the 1955 film version of the play; in its biography of Blaine, the Encyclopædia Britannica describes her as "best remembered for her ...
The song is a duet from the 1950 musical Guys and Dolls, and is sung by the characters Sky Masterson and Sister Sarah Brown. In the play it immediately follows the short solo song "My Time of Day", sung by Sky. Both songs were only used as background music in the 1955 film adaptation of the musical, [1] being replaced by the duet "A Woman in Love".
[5] When the song was cut from the movie, because producer Samuel Goldwyn "neither liked nor understood the song," [5] Loesser added the song to Guys and Dolls. [6] To devise some of the singular lyrics, Loesser derived "with a sheep's eye" from "making sheep's eyes at" to describe "the imagined lover's almost pitiable adoration of the girl."
"Luck Be a Lady" is a song written and composed by Frank Loesser in 1950 and first performed by Robert Alda. The song was featured in the musical Guys and Dolls.The lyrics relate the point of view of a gambler, Sky Masterson, who hopes that he will win a bet, the outcome of which will decide whether or not he is able to save his relationship with the girl of his dreams.
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Dinah Shore covered the tune on the 1963 Reprise Musical Repertory Theatre album of Guys and Dolls; Sarah Vaughan sang the song as a duet with Joe Williams, backed by the Count Basie Orchestra, on Count Basie/Sarah Vaughan. Dinah Washington covered it for her album In the Land of Hi-Fi (1956). [8]