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An example of late 14th century canon which featured some of the rhythmic complexity of the late 14th century ars subtilior school of composers is La harpe de melodie by Jacob de Senleches. According to Richard Hoppin, "This virelai has two canonic voices over a free and textless tenor." [10] "La harpe de melodie" Jacob de Senleches, "La harpe ...
Additionally, they can take form as commentary to a statement, an answer to a question or repetition of a phrase following or slightly overlapping the initial speaker(s). [2] It corresponds to the call and response pattern in human communication and is found as a basic element of musical form, such as the verse-chorus form, in many traditions.
By simple definition eye music is when the graphic notation of music is altered in some meaningful way visible to the performers. Often the changed "meaning" of the altered notation is enhanced by the music having compositional elements of melody and form such as word painting and canon. Moreover, the concept is demonstrated by sometimes ...
Badinerie – Form with light, playful character, often quite brief and usually included at the end of a Baroque suite. Canon – Contrapuntal composition in which a single melody is imitated by successively entering voices. Crab canon – Canon where one line is the retrograde of another, reading the same backwards and forwards.
The expression of dancers was highlighted in many of the influential works as a vital aspect of the ballet d'action. To become an embodiment of emotion or passion through free expression, movement, and realistic choreography was one chief aim of this dance. [1] Thus, the mimetic aspect of dance was used to convey what the lack of dialogue could ...
Benesh notation example. A dotted vertical line indicates the centre of a frame, though it is not part of the notation. Benesh notation plots the position of a dancer as seen from behind as if the dancer is superimposed on a staff that extends from the top of the head down to the feet.
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An example of a prolation canon. Play ⓘ Agnus Dei from Missa l'homme armé super voces musicales, by Josquin des Prez. In this example, the first 12 bars of the Agnus Dei II of the earlier of the two masses Josquin wrote based on the L'homme armé tune, each voice sings the same music, but at different speeds. The top voice is barred in 3/4 ...