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The poem begins with an octave where the speaker states that love does not possess the power to heal or save things, and concludes with a sestet of the speaker saying that even though she may face hardships, she would not trade love for food or peace. This poem is often lauded as one of her most successful works in the Fatal Interview sequence. [5]
Love is the effulgent manifestation! Love is the spiritual fulfilment! Love is the light of the Kingdom! Love is the breath of the Holy Spirit inspired into the human spirit! Love is the cause of the manifestation of the Truth (God) in the phenomenal world!. Love is the necessary tie proceeding from the realities of things through divine creation!"
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In a forward to his poems, which many scholars believe was addressed to Southwell's cousin, William Shakespeare, the priest-poet wrote, "Poets by abusing their talent, and making the follies and feignings of love the customary subject of their base endeavors, have so discredited this faculty that a poet, a lover, and a liar, are by many ...
The speaker of the poem questions the sun's motives and yearns for the sun to go away so that he and his lover can stay in bed. Donne is tapping into human emotion in personifying the sun, and he is exhibiting how beings behave when they are in love with one another. The speaker in the poem believes that, for him and his lover, time is the enemy.
Everyone who loves has been born of God and knows God. Whoever does not love does not know God, because God is love." (1 John 4:7–8) Saint Augustine wrote that one must be able to decipher the difference between love and lust. Lust, according to Saint Augustine, is an overindulgence, but to love and be loved is what he has sought for his ...
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The vernacular poetry of the romans courtois, or courtly romances, included many examples of courtly love. Some of them are set within the cycle of poems celebrating King Arthur 's court. This was a literature of leisure, directed to a largely female audience for the first time in European history.