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Judith with the Head of Holofernes by Lucas Cranach the Elder, 1530 15th-century aquamanile with Phyllis riding Aristotle [1] Jacopo Amigoni, Jael and Sisera, 1739. The "Power of Women" (German: Weibermacht) is a medieval and Renaissance artistic and literary topos, showing "heroic or wise men dominated by women", presenting "an admonitory and often humorous inversion of the male-dominated ...
Historian Susan L. Smith defines the "power of woman" as "the representational practice of bringing together at least two, but usually more, well-known figures from the Bible, ancient history or romance to exemplify a cluster of interrelated themes that include the wiles of woman, the power of love and the trials of marriage. [6]
The Obstacle Race: The Fortunes of Women Painters and Their Work. London: Martin Secker and Warburg. Lapierre, Alexandra (2001). Artemisia: The Story of a Battle for Greatness. Vintage. ISBN 0-09-928939-3. Locker, Jesse M. (2015). Artemisia Gentileschi: The Language of Painting. New Haven, Conn.: Yale University Press. ISBN 9780300185119.
In 2014, Grabner was named one of the 100 most powerful women in art [3] and in 2019, she was named a 2019 National Academy of Design's Academician, a lifetime honor. [4] In 2021, Grabner was named a Guggenheim Fellow by The John Simon Guggenheim Memorial Foundation. [5] In 2024 Grabner was inducted into the Wisconsin Academy of Art and Science.
The absence of women from the canon of Western art has been a subject of inquiry and reconsideration since the early 1970s. Linda Nochlin's influential 1971 essay, "Why Have There Been No Great Women Artists?", examined the social and institutional barriers that blocked most women from entering artistic professions throughout history, prompted a new focus on women artists, their art and ...
Gazbia Sirry (Arabic: جاذبية سري) (11 October 1925 – 10 November 2021 [1]) was an Egyptian painter.. Born in Cairo, Gazbia Sirry studied fine arts at the Higher Institute of Art Education for Women Teachers in 1950 (currently known as the Faculty of Art Education at Helwan University), where her dissertation traced Egypt's political history.
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