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During the Mexican War of Independence, the potters' guild and the ordinances of the 17th century were abolished. This allowed anyone to make the ceramic in any way, leading to a decline in quality. [3] The war disrupted trade among the Spanish colonies and cheaper English porcelain was being imported. [18] The Talavera market crashed.
High fire ceramic with traditional designs at the Museo Regional de la Ceramica, Tlaquepaque.. Ceramics of Jalisco, Mexico has a history that extends far back in the pre Hispanic period, but modern production is the result of techniques introduced by the Spanish during the colonial period and the introduction of high-fire production in the 1950s and 1960s by Jorge Wilmot and Ken Edwards.
Stoneware vase with nahuals from Jalisco. Tlaquepaque hosts the Museo del Premio Nacional de la Ceramica Pantalen Panduro (Pantalen Panduro National Ceramics Prize Museum), which exhibits the prizewinners of the annual national prize given to ceramics makers. It is located in the Centro Cultural El Refugio and was created in 1997.
In addition to a number of family workshops, including Doña Rosa's, the Mercado de Artesanias is an important attraction which brings visitors from many parts of Mexico and other countries. A group of fourteen people exhibit and sell barro negro objects. Some of these products include vases, animal figures and jars.
Black-on-black ware pot by María Martinez of San Ildefonso Pueblo, circa 1945.Collection deYoung Museum María and Julián Martinez pit firing black-on-black ware pottery at P'ohwhóge Owingeh (San Ildefonso Pueblo), New Mexico (c.1920) Incised black-on-black Awanyu pot by Florence Browning of Santa Clara Pueblo, collection Bandelier National Monument Wedding Vase, c. 1970, Margaret Tafoya of ...
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