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Traditional blues verses in folk-music tradition have also been called floating lyrics or maverick stanzas.Floating lyrics have been described as “lines that have circulated so long in folk communities that tradition-steeped singers call them instantly to mind and rearrange them constantly, and often unconsciously, to suit their personal and community aesthetics”.
Combined with its acoustic counterpart "My My, Hey Hey (Out of the Blue)", it bookends Young's 1979 album Rust Never Sleeps. The song was influenced by the punk rock zeitgeist of the late 1970s, in particular by Young's collaborations with the American art punk band Devo, and what he viewed as his own growing irrelevance.
"Everything That Glitters (Is Not Gold)" is a song co-written and recorded by American country music artist Dan Seals. It was released in March 1986 as the third single from the album Won't Be Blue Anymore. It peaked at number one in both the United States and Canada. The song was written by Seals and Bob McDill.
According to Gene Sullivan, the song, “When my Blue Moon Turns To Gold Again,” was written out of necessity. Sullivan commented, “The 1940 recording session that Wiley Walker and I did for Columbia Records was a mistake. We didn’t know anything about original songs. We just recorded songs that we liked to sing.
All Hail Blue and Gold. All Hail, Blue and Gold Thy colors unfold O'er loyal Californians, Whose hearts are strong and bold, All Hail, Blue and Gold Thy strength ne'er shall fail; For thee we'll die, All Hail! All Hail! All Hail, Blue and Gold To thee we shall cling; O'er golden fields of poppies, Thy praises we shall sing. All Hail, Blue and Gold
The song charted on Billboard on July 1, 1933, reaching #6. A month later, a subsequent recording by Don Bestor and His Orchestra also charted, reaching #8. [2] AllMusic calls "Under a Blanket of Blue" a "notable" composition, and says that after its initial success, the song "remained popular with jazz artists in particular."
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Moods is the eighth studio album by Neil Diamond, released by Uni Records in 1972. [2] It contained the second of his No.1 songs, "Song Sung Blue", and was something of a follow-up in style to the highly experimental Tap Root Manuscript.