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Moses Indignant at the Golden Calf, painting by William Blake, 1799–1800. Idolatry is the worship of an idol as though it were a deity. [1] [2] [3] In Abrahamic religions (namely Judaism, Samaritanism, Christianity, Islam, and the Baháʼí Faith) idolatry connotes the worship of something or someone other than the Abrahamic God as if it were God.
Remains of the Nergal Gate in Nineveh, Iraq. The phrase false god is a derogatory term used in Abrahamic religions (namely Judaism, Samaritanism, Christianity, the Baháʼí Faith, and Islam) to indicate cult images or deities of non-Abrahamic Pagan religions, as well as other competing entities or objects to which particular importance is attributed.
The term idol is an image or representation of a god used as an object of worship, [1] [2] [3] while idolatry is the worship of an "idol" as though it were God. [ 4 ] [ 5 ] [ 6 ] Ancient Near East and Egypt
Religious images in Christian theology have a role within the liturgical and devotional life of adherents of certain Christian denominations. The use of religious images has often been a contentious issue in Christian history. Concern over idolatry is the driving force behind the various traditions of aniconism in Christianity.
Judaism holds that idolatry is not limited to the worship of an idol itself, but also worship involving any artistic representations of God. [1] The prohibition is epitomized by the first two "words" of the decalogue: I am the Lord thy God , Thou shalt have no other gods before me , and Thou shalt not make unto thee any graven image or any ...
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According to the Book of Idols, the Kalb worshipped him in the form of a man and is said to have represented heaven, and his cult image reportedly stood at Dumat al-Jandal. Attested: Attested: Al-Ya'bub Al-Ya'bub is a god that belonged to the Jadilah clan of Tayy, who according to the Book of Idols abstained from food and drink before him. [32]
They involve the “washing of the mouth” (mîs-pî proper) on the first day to cleanse the statue of all traces of human contamination in the production of the idol, and the “opening of the mouth” (inscribed KA.DUḪ.Ù.DA, Akkadian: pit pî) performed with syrup, ghee, cedar and cypress on the second to bring it to life, sacraments ...