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Réseau Saint-Lazare, a network of railway lines originating from Gare Saint Lazare; Saint-Lazare (Paris Métro), a railway station in Paris; Saint-Lazare Prison, Paris;
The Gare Saint-Lazare series of paintings lead the viewers through a tour of the train station in different points of the day. "Monet exemplifies the modern life, in all its chaos and instability", [ 10 ] The steam coming from the trains creates a way of dissolving the train and showing the impressionistic style of blending colors and light.
A special commission had found that the Réseau État Saint-Lazare was in need of electrification on the railway lines to Saint-Germain, Versailles Rive Droite, Saint-Nom-la-Bretèche, Puteaux, Issy-les-Moulineaux and Argenteuil. The Chemins de fer de l'Ouest and then the Chemin de fer de l'État from 1909 had worked towards that goal by ...
Line 9 also stops at Saint Augustin and RER E stops at ‹See TfM› Haussmann–Saint-Lazare. A tunnel connects both of these stations. A tunnel connects both of these stations. Located on the border of the 8th and 9th arrondissements , it is the second busiest station of the Métro system after Gare du Nord with 39 million passengers annually.
List of paintings created during 1858–1871 1872–1878 1878–1881 1881–1883 1884 1884–1888 1888 1888–1898 1899–1904 1900–1926 This is a list of works by Claude Monet (1840–1926), including all the extant finished paintings but excluding the Water Lilies, which can be found here, and preparatory black and white sketches. Monet was a founder of French impressionist painting, and ...
The Order of Saint Lazarus of Jerusalem is an order of chivalry that originated in a leper hospital founded by Knights Hospitaller in the 12th century by Crusaders of the Latin Kingdom of Jerusalem. Sufferers of leprosy regarded the beggar Lazarus (of Luke 16:19-31) as their patron saint and usually dedicated their hospices to him. [72]
Behind the Gare Saint-Lazare (1932). Behind the Gare Saint-Lazare is a black and white photograph taken by French photographer Henri Cartier-Bresson in Paris in 1932. The photograph has been printed at variable dimensions; the print donated by Cartier-Bresson to the Museum of Modern Art is listed at 35.2 × 24.1 cm. [1] It is one of his best known and more critically acclaimed photographs and ...
He then, in turn, united to this new order the possessions of St. Lazarus in France, and such is the origin of the title Ordres Royaux, Militaires & Hospitaliers de Saint Lazare de Jérusalem & de Notre-Dame du Mont-Carmel réunis ("Royal, Military, and Hospitaller Orders of Our Lady of Mount Carmel and St. Lazarus of Jerusalem united"). This ...