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Fully feathered baskets were very personal items, often given as a gift and destroyed at the death of the owner. [4] This ritual destruction contributed to the rarity of the baskets. Additionally, some tribes were subjected to the Spanish Mission process which destroyed much of their culture, including the basketry. [ 8 ]
National Museum of the American Indian (U.S.) (1994). This path we travel: celebrations of contemporary Native American creativity. National Museum of the American Indian, Smithsonian Institution, and Fulcrum Pub. p. 126. ISBN 978-1-55591-205-5. "Giveaway for the Gods: An Interview with Arthur Amiotte". Parabola: The Magazine of Myth and Tradition.
Watercolor by James G. Swan depicting the Klallam people of chief Chetzemoka at Port Townsend, with one of Chetzemoka's wives distributing potlatch. Prior to European colonization, gifts included storable food (oolichan, or candlefish, oil or dried food), canoes, slaves, and ornamental "coppers" among aristocrats, but not resource-generating assets such as hunting, fishing and berrying ...
Button blanket circa 1880 in the collection of the Metropolitan Museum of Art Contemporary button blanket shown by its maker at the Goldbelt Tram in Juneau, Alaska. A button blanket is wool blanket embellished with mother-of-pearl buttons, created by Northwest Coastal tribes, that is worn for ceremonial purposes.
Charles Littleleaf, a Native American flute player and flute maker, is a tribal citizen of the Warm Springs Indian Reservation, Oregon. Charles is also an honorary member of the Piikani Nation , Alberta , Canada, and is the son of the late Chief Jack Littleleaf of Brocket, Alberta .
Native American jewelry refers to items of personal adornment, whether for personal use, sale or as art; examples of which include necklaces, earrings, bracelets, rings and pins, as well as ketohs, wampum, and labrets, made by one of the Indigenous peoples of the United States. Native American jewelry normally reflects the cultural diversity ...
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