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Theme music only Score composed by Mark Mancina: 1993–1994 Space Rangers: CBS: Theme music only Score composed by Mark Mancina and John Van Tongeren: 1994–1995 The Critic: Columbia Pictures Television Gracie Films ABC FOX: Theme music only Score composed by Alf Clausen: 2000–2001 Die Motorrad-Cops – Hart am Limit RTL Group: Theme music only
"Mood Indigo" is featured in the films Bait (1954); The Continental Twist (1961); Paris Blues (1961); All Night Long (1962); Julia (1977); Rough Cut (1980); Renacer [] (1981); Frances (1982); The Cotton Club (1984); The Untouchables (1987); Harlem Nights (1989); The White Countess (2005); White Men Can't Jump (1992); Curtain Call (1999); Pitch People (1999); The Legend of Bagger Vance (2000 ...
is primarily an instrumental piece, though it does feature some spoken male vocals (provided by long-time collaborator with Kanno, Tim Jensen) in the introductory portion of the song, thematically jazz in style. The vocal portion provides a lead-in to the instrumental portion, and its final lyrics, "I think it's time we blow this scene.
A turning point in Zimmer's career occurred with the 1988 film Rain Man. [19] Hollywood director Barry Levinson was looking for someone to score Rain Man, and his wife heard the soundtrack CD of the anti-apartheid drama A World Apart, for which Zimmer had composed the music. Levinson was impressed by Zimmer's work and hired him to score Rain ...
It features the band members dressed in black outfits, as seen in the photograph on the single cover of the CD. [citation needed] The video was shot mainly using green screen to place the band on an arid salt flat. The sun is initially shining, but dark clouds quickly fill the sky in the first chorus, and it begins to rain in the second verse.
"Blinding Lights" received universal acclaim by music journalists upon release, with many noting its aesthetic, as well as its callback to the music of the 1980s. The song was a commercial success, topping the record charts in over 40 countries, including his native Canada, making it his most successful single to date.
Hans Zimmer (behind Horn) is playing piano synth. The music video for "Video Killed the Radio Star", written, directed and edited by Australian Russell Mulcahy, [57] [58] was produced on a budget of $50,000. [4] The video was shot in one day in South London, [57] and was edited over two days. [58] The video begins with a young girl sitting in ...
"What a Diff'rence a Day Made", also recorded as "What a Difference a Day Makes", is a popular song originally written in Spanish by María Grever, a Mexican songwriter, in 1934 with the title "Cuando vuelva a tu lado" ("When I Return to Your Side") and first recorded by Orquesta Pedro Vía that same year.