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John Berkey (August 13, 1932 – April 29, 2008) was an American artist known for his space and science fiction themed works. Some of Berkey's best-known work includes much of the original poster art for the Star Wars trilogy, the poster for the 1976 remake of King Kong and also the "Old Elvis Stamp".
Posters during wartime were also used for propaganda purposes, persuasion, and motivation, such as the famous Rosie the Riveter posters that encouraged women to work in factories during World War II. The Soviet Union also produced a plethora of propaganda posters , [ 20 ] some of which became iconic representations of the Great Patriotic War .
Spectrum was initially conceived by Arnie Fenner [1] and Cathy Fenner. [2] Inspired by the popularity of Tomorrow and Beyond, [3] an image anthology edited by Ian Summers in 1978, the annual publication from The Society of Illustrators, [4] and with very successful exhibitions devoted to fantastic art at the New Britain Museum of American Art (1980), [5] and at the Society of Illustrators ...
The Encyclopedia of Fantasy and Science Fiction Art Techniques is a book focused on developing artistic concepts and techniques in the fantasy genre. [1] It was authored by John Grant and Ron Tiner, [2] and published by Titan Books in 1996. David Atkinson reviewed the work for Arcane magazine, rating it an 8 out of 10 overall. [1]
This is a list of science fiction and fantasy artists, notable and well-known 20th- and 21st-century artists who have created book covers or interior illustrations for books, or who have had their own books or comic books of fantastic art with science fiction or fantasy themes published. Artists known exclusively for their work in comic books ...
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Gustafson and Nicholls remark that The Magazine of Fantasy and Science Fiction was "the magazine for which he developed his famous "Space Gumby 'Bhen'," a green alien which lent humour to his vivid astronomical scenes. He was an important artist for Vision of Tomorrow and worked also for Science Fiction Monthly, If and Galaxy." [2]
In the summer of 1939, Ray Bradbury carried samples of Bok's art eastward to introduce his friend's work to magazine editors at the first World Science Fiction Convention. [2] This was a bold move, since Bradbury was a neophyte with no connections to commercial art or the magazine industry; but it reflects the close ties within the fan and ...