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Calypso in the Caribbean includes a range of genres, including benna in Antigua and Barbuda; mento, a style of Jamaican folk music that greatly influenced ska, the precursor to rocksteady, and reggae; spouge, a style of Barbadian popular music; Dominica cadence-lypso, which mixed calypso with the cadence of Haiti; and soca music, a style of ...
In the 90s, just as calypso was developing into Soca, chutney also took on more regional influences such as using the steelpan and electronic instruments. [4] Calypso music, common among Afro-Caribbean communities, has also been an outlet for criticizing the government or addressing other social issues. Guyana has annual calypso competitions. [5]
Jamaica - In Calypso: A World Music, a site created by Historical Museum of Southern Florida about calypso and mento; Jamaican Mento Music - site created by Michael Garnice (comprehensive information on the history and the musicians who made the music) Ivan Chin - Mento music's pages on mento pioneer Ivan Chin. The Mento dance is a Jamaican ...
Used in traditional calypso: flute [1] Dominican Republic: 4 Used to accompany upper-class merengue in the later 19th century harmonium [7] Indo-Caribbean: 4 Used in chutney music: kartal [7] Trinidad and Tobago: 4 Harmonium, used in chutney: lambis [5] Haiti: 423.11 Conch shell horn, used for signalling saxophone [3] Garifuna music: 4 Used in ...
Calypso was sung throughout the English-speaking Caribbean, and was used by the poor as a platform for social and political commentary, using complex metaphors and folkloric references to obscure their meaning to outsiders. Later, beginning in the 1960s, a popularized kind of calypso was developed for use in tourist hotels.
The music drew upon the West African Kaiso and French/European influences, and arose as a means of communication among the enslaved Africans. Kaiso is still used today as a synonym for calypso in Trinidad and some other islands, often by traditionalists, and is also used as a cry of encouragement for a performer, similar to bravo or olé.
Kaiso is a type of music popular in Trinidad and Tobago, and other countries, especially of the Caribbean, such as Grenada, Belize, Barbados, St. Lucia, and Dominica, which originated in West Africa particularly among the Efik and Ibibio people of Nigeria, and later evolved into calypso music.
The major indigenous form of music is the scratch band (also called ''Fungi band'' in the British Virgin Islands), which use improvised instruments like gourds and washboards to make a kind of music called ''Quelbe''. A Virgin Island folk song called 'cariso is also popular, as well as St. Thomas' bamboula.