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In line dancing the term chassé is used for a triple-step sequence in any direction (forward, side, back, diagonally, or curving). For instance, if the chassé is to be done to the right, the right foot steps right, the left foot is placed next to the right, with the weight being transferred to the left foot so that the right foot can complete ...
The Chicken Dance is an example of a line dance adopted by the Mod revival during the 1980s. [18] The music video for the 1990 Billy Ray Cyrus song "Achy Breaky Heart" has been credited for launching line dancing into the mainstream. [2] [19] [20] [21] In the 1990s, the hit Spanish dance song "Macarena" inspired a popular line dance. [22]
Box step: Step left foot across the right foot; Step right foot back behind the left foot; Step left foot sideways parallel to the right foot; Step right foot forward in front of the left foot; Repeat all; In particular choreographies, the pattern may start from any step of the sequence and may also be mirrored, i.e., started from the right foot.
"A line dance is made up of a number of movements called steps. Each step is given a name so teachers can tell dancers to perform this step when teaching a dance. The most well known is the grapevine (or vine for short), a four-count movement to the side." [citation needed] [3]
Chassé (French, "to chase") is a dance step with a triple step pattern used in many forms of dance. [1] It is a gliding, flowing [citation needed] step with the feet essentially following a step–together–step pattern. Timing and length of steps vary from dance to dance.
Some dances have a pattern known as such: "triple step". In some other dances it is referred to as the shuffle step. Some triple steps are performed in a chassé-like manner: "side step, together, side step". The "cha-cha chassé" is an example of this kind of a triple step. In some other cases the steps may be done in place.
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One form is as a complete line dance, consisting of approximately 25 steps. [1] Other forms may include a simplified two-step followed by a shoulder-brushing motion with the back of the opposite hand. In some respects, the maneuver is a homage to the vibrant dance culture that permeated dance clubs of the Harlem area during the Harlem Renaissance.