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Ngwe Gaing (Burmese: ငွေကိုင် [ŋwè ɡàɪɰ̃]; 1901–1967) was a Burmese artist who worked in both oil and watercolor. After the death of his teacher Ba Nyan, he was recognized as the greatest living painter in Myanmar. [1]
Sober Living for the Revolution: Hardcore Punk, Straight Edge, and Radical Politics. Oakland: PM Press. ISBN 978-1-60486-051-1; Haenfler, Ross (2006). Straight Edge: Hardcore Punk, Clean Living Youth, and Social Change. Rutgers University Press. ISBN 9780813539911
Ba Gyan (Burmese: ဘဂျမ်း [ba̰ dʑáɰ̃]; 1902–1953) was a pioneering Burmese cartoonist who created the first cartoon movie released in Burma in 1935. [ citation needed ] Ba Gyan's cartoons covered a wide variety of topics and events, and ridiculed human frailties such as discourtesy, dishonesty, snobbery, arrogance ...
Edge day is held in London in DIY Space For London. [4] Edge Day is celebrated in Kuala Lampur, Malaysia in punk space called Rumah Api. [5] Edge-day was celebrated at THE HARDCORE STADIUM in Cambridge, MA on Oct. 16,17,18th. Bands played included Stop and Think, Invasion and Mindset. [6] Edge day is celebrated every year in Novi Sad, Serbia.
Ronald "Ron" Davis (born 1937) is an American painter whose work is associated with geometric abstraction, abstract illusionism, lyrical abstraction, [1] [2] hard-edge painting, shaped canvas painting, color field painting, and 3D computer graphics. He is a veteran of nearly seventy solo exhibitions and hundreds of group exhibitions.
It is estimated that only 2–3% of fore-edge paintings are doubled. [6] [4] A triple fore-edge painting has, in addition to paintings on the edges, a third painting applied directly to the edges (in lieu of gilt or marbling). An edge painting that is a continuous scene wrapped around more than one edge is called a panoramic fore-edge painting.
Ba Kyi, FRSA (Burmese: ဘကြည် [ba̰ tɕì]; 17 July 1912 – 15 April 2000) was a well-known and prolific Burmese artist. He was initially trained in western painting, but in the post-World War II independence period, he initiated a revival of Traditional painting, borrowing from the Western training he had received as well as his own cultural heritage of painting styles and techniques.
Thus, after Win and Paw Oo Thet expressed interest in modernist art, Ba Thet sent the two boys to Kin Maung (Bank) for periodic instruction in more modern concepts of painting. [2] [4] Ba Thet was also the teacher of the major painter Ba Yin Galay and the highly regarded painter Shwe Aung Thein, both of whose work took experimental turns.