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The Public (El público), opera in five scenes with a prologue is an opera by the Spanish composer Mauricio Sotelo. The libretto was written by Andrés Ibáñez, based on the play of the same name by Federico García Lorca. It premiered on February 24, 2015, at the Teatro Real in Madrid, Spain.
The Public (El público), also known as The Audience, is a play by the twentieth-century Spanish dramatist Federico García Lorca. [2] It was written between 1929 and 1930. The two complete manuscripts which once existed have not been found, and may be lost. All that is known is an earlier draft, missing an act. [3]
Pero no lo hace como una niña malcriada, sino de forma accidental, como cuando una persona no puede evitar mencionar algo que le preocupa. Al fin y al cabo, Mike ha estado en misión de guerra casi un tercio de su vida. “Es el motivo por el que Amaris a veces está tan cansada”, explica Kristen. La idea de volver a empezar en otro sitio ...
Santiago Ramón y Cajal (Spanish: [sanˈtjaɣo raˈmon i kaˈxal]; 1 May 1852 – 17 October 1934) [1] [2] was a Spanish neuroscientist, pathologist, and histologist specializing in neuroanatomy and the central nervous system.
One of only two national left-wing papers (the other being elDiario.es), [4] [5] the paper had a harder-left editorial line than El País. [6] Público also aimed at a younger readership. [7] The paper was two-thirds the length of its competitors and its price, initially only 50 cents, was less than half. The paper's original press run was ...
Laura Nuño Gómez (born 27 October 1967) is a Spanish political scientist, researcher, and feminist activist. She is director of the Gender Studies Chair of the Institute of Public Law and the Gender Equality Observatory at King Juan Carlos University (URJC), as well as the creator of the first academic degree in Gender Studies in Spain, [1] and of various postgraduate programs in this subject.
José Ortega y Gasset (/ ɔːr ˈ t eɪ ɡ ə /; Spanish: [xoˈse oɾˈteɣaj ɣaˈset]; 9 May 1883 – 18 October 1955) was a Spanish philosopher and essayist.He worked during the first half of the 20th century while Spain oscillated between monarchy, republicanism, and dictatorship.
Jesús Arriaga, better known as Chucho el Roto (1858–1885), was a Mexican bandit active in the late 19th century, whose life story has been the basis of number of books, plays and other media since before his death.