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As the site of the Olympic Games, the architecture of Olympia is heavily influenced by the theme of athletics. The Temple of Zeus, for example, is decorated with a frieze containing the Labours of Hercules, who is believed to be the founder of the Olympic Games, and a pediment depicting the myth of Pelops, another origin tale of the Olympics.
Roman fresco from the Tomb of Esquilino, c. 300-280 B.C. As with the other arts, the art of painting in Ancient Rome was indebted to its Greek antecedents. In archaic times, when Rome was still under Etruscan influence, they shared a linear style learned from the Ionian Greeks of the Archaic period, showing scenes from Greek mythology, daily life, funeral games, banquet scenes with musicians ...
The painting's catalogue entry at the time of its first exhibition described it as "Homer receiving homage from all the great men of Greece, Rome and modern times. The Universe crowns him, Herodotus burns incense. [2] The Iliad and Odyssey sit at his feet." Study for Phidias in The Apotheosis of Homer, oil on canvas, 1827, San Diego Museum of Art
The wall paintings of ancient Thera are famous frescoes discovered by Spyridon Marinatos at the excavations of Akrotiri on the Greek island of Santorini (or Thera). They are regarded as part of Minoan art , although the culture of Thera was somewhat different from that of Crete , and the political relationship between the two islands at the ...
The Statue of Zeus at Olympia was a giant seated figure, about 12.4 m (41 ft) tall, [1] made by the Greek sculptor Phidias around 435 BC at the sanctuary of Olympia, Greece, and erected in the Temple of Zeus there. Zeus is the sky and thunder god in ancient Greek religion, who rules as king of the gods on Mount Olympus. [citation needed]
The most famous of all ancient Greek painters was Apelles of Kos, whom Pliny the Elder lauded as having "surpassed all the other painters who either preceded or succeeded him." [105] [106] Due to the perishable nature of the materials used and the major upheavals at the end of antiquity, not one of the famous works of Greek panel painting has ...
Persephone (painting) Polyphemus (Sebastiano del Piombo) Prometheus (Orozco) Prometheus Being Chained by Vulcan; Prometheus Bound (Rubens) Prometheus Bound (Thomas Cole) Psamathe (Leighton) The Psyché (My Studio) Psyche Abandoned (painting) Pygmalion and Galatea (Girodet) Pygmalion and Galatea (Gérôme painting) Pygmalion and the Image series
Sgamellotti said the researchers found evidence of Egyptian blue, a pigment thought to have been replaced after the fall of the Roman Empire with the use of lapis lazuli. Raphael may have chosen to recreate the brilliant pigment for this depiction of the heroine of a Greek myth because of his interest in the ancient world, Sgamellotti explained ...