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Joji is a Japanese singer and songwriter who has released four studio albums, one mixtape, two extended plays and fourteen singles, with three of those projects released under the name "Pink Guy", a comedic alter-ego created on the entertainment platform YouTube. In 2015 he made an unreleased album entitled "Chloe Burbank Vol. 1" featuring ...
In late 2017, Miller ended The Filthy Frank Show to pursue a music career under the name "Joji", the Japanese version of his first name. [ 15 ] [ 16 ] He signed with 88Rising and 12Tone Music Group to release his first two studio albums, Ballads 1 (2018) and Nectar (2020), both of which peaked at number three on the Billboard 200 and spawned ...
Pink Season is the only studio album by Pink Guy, a character played by Japanese-Australian entertainer and musician George "Joji" Miller. It was released on 4 January 2017. [1] It features 35 songs ranging from various points in his YouTube career and is primarily produced by Miller himself. It peaked at number 70 on the Billboard 200. [2]
The following is a list of albums, EPs, and mixtapes released in 2022.These albums are (1) original, i.e. excluding reissues, remasters, and compilations of previously released recordings, and (2) notable, defined as having received significant coverage from reliable sources independent of the subject.
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Wave is the first Japanese extended play (EP) by South Korean girl group Ive.It was released on May 31, 2023, by Starship Entertainment and Ariola Japan.The EP contains 5 tracks, including the lead single of the same name, Japanese versions of the group's Korean singles "After Like" and "Love Dive" and one new original Japanese song, "Classic".
Plastics, or the Plastics, were a short-lived Japanese new wave band who rose to prominence in the late 1970s and early 1980s. [1] Their music was a major influence on Japanese pop music and their songs have been covered by many bands, most notably Polysics, Pizzicato Five, and Stereo Total.
Big Wave is the soundtrack album for the motion picture of the same name, produced and recorded by Japanese singer-songwriter Tatsuro Yamashita. It was released in June 1984 and peaked at No.2 on the Oricon Albums Chart for a 19-week stay. The album was heavily influenced by the songwriting and production of Brian Wilson.