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The Sistine Chapel ceiling, painted by Michelangelo between 1508 and 1512, is one of the most renowned artworks of the High Renaissance. Central to the ceiling decoration are nine scenes from the Book of Genesis of which The Creation of Adam is the best known, the hands of God and Adam being reproduced in countless imitations. The complex ...
The ceiling before the restoration [c]. The preliminary experimentation for the modern restoration began in 1979. The restoration team comprised Gianluigi Colalucci, Maurizio Rossi, Piergiorgio Bonetti, and others, [6] who took as their guidelines the Rules for restoration of works of art as established in 1978 by Carlo Pietrangeli, director of the Vatican's Laboratory for the Restoration of ...
The Sistine Chapel ceiling (Italian: Soffitto della Cappella Sistina), painted in fresco by Michelangelo between 1508 and 1512, is a cornerstone work of High Renaissance art. The Sistine Chapel is the large papal chapel built within the Vatican between 1477 and 1480 by Pope Sixtus IV , for whom the chapel is named.
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The Sistine Chapel has maintained its function to the present day and continues to host the important services of the Papal Calendar, unless the Pope is travelling. There is a permanent choir, the Sistine Chapel Choir, for whom much original music has been written, the most famous piece being Gregorio Allegri's Miserere. [11]
This detail of the ceiling of the Sistine Chapel by Michelangelo portrays Adam and Eve taking the "forbidden fruit" from the Tree of Knowledge and their subsequent expulsion from Eden. This image shows the results of the restoration of the Sistine Chapel's ceiling paintings from 1979 to 1994. Articles this image appears in
The Sistine Chapel: The Art, the History, and the Restoration, 1986, Harmony Books/Nippon Television, ISBN 0-517-56274-X; Vasari, Giorgio, selected and edited by George Bull, Artists of the Renaissance, Penguin 1965 (page nos. from Book Club Associates (BCA) ed., 1979) Wind, Edgar, Pagan Mysteries in the Renaissance, 1967 ed., Peregrine Books
The Florentines started to work in the Sistine Chapel as early as the Spring of 1481, along with Pietro Perugino, who was already there. Neither Bartolomeo della Gatta nor Luca Signorelli (who was thirty at the time) appear in the official contracts signed between the Papal court and the painters, but they were most likely among the assistants ...