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In 1920, the jazz age was underway and was indirectly fueled by prohibition of alcohol. [5] In Chicago, the jazz scene was developing rapidly, aided by the immigration of over 40 prominent New Orleans jazzmen to the city, continuous throughout much of the 1920s, including The New Orleans Rhythm Kings who began playing at Friar's Inn. [5]
Annette Sanders (born 1937 or 1938) [1] Tommy Sands (born 1937) Natalie Sandtorv (born 1988) Marit Sandvik (born 1956) Diane Schuur (born 1953) Hazel Scott (1920–1981) Jimmy Scott (1925–2014) Gil Scott-Heron (1949–2011) Janet Seidel (1955–2017) Gunhild Seim (born 1973) Nina Shatskaya (born 1966) Ian Shaw (born 1962) Marlena Shaw (born ...
“One can plausibly argue that the debate over jazz was just one of many that characterized American social discourse in the 1920s” (Ogren 3). In 1919, jazz was being described to white people as “a music originating about the turn of the twentieth century in New Orleans that featured wind instruments exploiting new timbres and performance techniques and improvisation” (Murchison 97).
The Jazz Age was a period in the 1920s and 1930s in which jazz music and dance styles gained worldwide popularity. The Jazz Age's cultural repercussions were primarily felt in the United States, the birthplace of jazz.
Gladys Alberta Bentley (August 12, 1907 – January 18, 1960) [1] was an American blues singer, pianist, and entertainer during the Harlem Renaissance.. Her career skyrocketed when she appeared at Harry Hansberry's Clam House, a well-known gay speakeasy in New York in the 1920s, as a black, lesbian, cross-dressing performer.
Marion Harris (born Mary Ellen Harrison; March 25, 1897 – April 23, 1944) was an American popular singer who was most successful in the late 1910s and the 1920s.She was the first widely-known white singer to sing jazz and blues songs.
In the 1920s, women singing jazz music were not many, but women playing instruments in jazz music were even less common. Mary Lou Williams, known for her talent as a piano player, is deemed as one of the "mothers of jazz" due to her singing while playing the piano at the same time. [4] Lovie Austin (1887–1972) was a piano player and bandleader.
The Swing Era: The Development of Jazz, 1930–1945. Oxford University Press US. ISBN 978-0-19-507140-5. Shaw, Arnold (1989). The jazz age: popular music in the 1920s. Oxford University Press US. ISBN 978-0-19-506082-9. Sudhalter, Richard M. (2003). Stardust Melody: The Life and Music of Hoagy Carmichael. Oxford University Press US.