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Direct images of African deities are relatively infrequent, but masks in particular are or were often made for traditional African religious ceremonies; today many are made for tourists as "airport art". [2] African masks were an influence on European Modernist art, which was inspired by their lack of concern for naturalistic depiction.
African countries where masks are used traditionally Sande society sowei mask, 20th century Baoule Kple Kple Mask. Traditional African masks are worn in ceremonies and rituals across West, Central, and Southern Africa. They are used in events such as harvest celebrations, funerals, rites of passage, weddings, and coronations.
African art includes prehistoric and ancient art, the Islamic art of West Africa, the Christian art of East Africa, and the traditional artifacts of these, and other regions. Many African sculptures were historically made of wood and other natural materials that have not survived from earlier than a few centuries ago, although rare older ...
The art found in the traditional homestead of the Ndebele people dates back to a thousand years and is evidenced by the rock art found in the Matopos [2] [3] attributed to the Khoi-San. [ 4 ] [ 1 ] [ 5 ] In 2016 the US Ambassador's' fund for Cultural preservation (AFCP) [ 6 ] awarded a grant to document the Ndebele traditional art form of hut ...
African folk art consists of a variety of items: household objects, metal objects, toys, textiles, masks, and wood sculpture. Most traditional African art meets many definitions of folk art generally, or at least did so until relatively recent dates.
To the Yoruba, art began when Olódùmarè commissioned the artist deity Obatala to mold the first human image from clay. Today, it is customary for the Yoruba to wish pregnant women good luck with the greeting: May Obatala fashion for us a good work of art. [7] The concept of ase influences how many of the Yoruba arts are composed. In the ...
Almost all Luba art includes the female form either surmounting or supporting objects such as headrests, staffs, spears, axes or bowls. The female figure holding her breasts is the most common motif in Luba art. [1] The gesture has multiple levels of meaning, symbolizing respect, nurturing, and the role of women as mothers.
Women were discouraged from traditional methods of Uli art by missionaries but often were encouraged to continue uli in other media. [6] The Mary Slessor Memorial School, a Christian marriage training center, taught students from Igboland to recreate uli designs in embroidery. These designs were then sold by the school.
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