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Based largely at courts and in intellectual circles around Europe, Maniera art couples exaggerated elegance with exquisite attention to surface and detail: porcelain-skinned figures recline in an even, tempered light, acknowledging the viewer with a cool glance, if they make eye contact at all.
One approach to Eastern art history divides the field by nation, with foci on Indian art, Chinese art, and Japanese art. Due to the size of the continent, the distinction between Eastern Asia and Southern Asia in the context of arts can be clearly seen. In most of Asia, pottery was a prevalent form of art.
In psychology, the Eysenck Personality Questionnaire (EPQ) is a questionnaire to assess the personality traits of a person. It was devised by psychologists Hans Jürgen Eysenck and Sybil B. G. Eysenck. [1] Hans Eysenck's theory is based primarily on physiology and genetics. Although he was a behaviorist who considered learned habits of great ...
A common central theme of such literature and folktales is the often forceful "taming" of shrewish wives by their husbands. [2] Arising in folklore, in which community story-telling can have functions of moral censorship or suasion, it has served to affirm traditional values and moral authority regarding polarised gender roles, and to address social unease about female behavior in marriage.
The first major programme under the Government of India to popularise scientific temper among the people was the Vigyan Mandir (temple of knowledge/science) experiment in 1953. It was created by S. S. Bhatnagar , at the time Head of the Council of Scientific and Industrial Research (CSIR), in Delhi and launched by Nehru on 15 August.
Constance and Fortitude in Vienna.Early modern statues with classical iconography.. Personification as an artistic device is easier to discuss when belief in the personification as an actual spiritual being has died down; [13] this seems to have happened in the ancient Graeco-Roman world, probably even before Christianisation. [14]
"Attitude" was arguably more important as an aesthetic term in the 19th century, when it was defined in one art-related dictionary as the posture or disposition of the limbs and members of a figure, by which we discover the action in which it is engaged, and the very sentiment supposed to be in the mind of the person represented.
Middlebrows are concerned with appearances, with how their social activities make them appear to the community, unlike the highbrows, the avant-garde men and women who act according to their commitment to the beauty and forms of art, and to values and integrity. Likewise, a lowbrow person is devoted to a singular interest, a person "of ...