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This is a list of films which placed number one at the weekly box office in the United States during 1980 per Variety.The data was based on grosses from 20 to 22 key cities and therefore, the gross quoted may not be the total that the film grossed nationally in the week.
Highest-grossing films of 1980 Rank Title Distributor Domestic gross 1 The Empire Strikes Back: 20th Century Fox: $209,398,025 2 9 to 5: $103,290,500 3 Stir Crazy: Columbia: $101,300,000 4 Airplane! Paramount: $83,453,539 5 Any Which Way You Can: Warner Bros. $70,687,344 6 Private Benjamin: $69,847,348 7 Coal Miner's Daughter: Universal ...
The decade of the 1980s in Western cinema saw the return of studio-driven pictures, coming from the filmmaker-driven New Hollywood era of the 1970s. [1] The period was when the "high concept" picture was established by producer Don Simpson, [2] where films were expected to be easily marketable and understandable.
While many futuristic movies from the 1980s depicted scenarios that have not come to pass 40 years later, many offered surprisingly accurate glimpses into the future. Here’s our list of movies ...
Made for television movie about the Battle of the Alamo: Desperado: Virgil W. Vogel: Alex McArthur, David Warner, Yaphet Kotto, Donald Moffat, Stephen Davies, Lise Cutter, Robert Vaughn, Gladys Knight, Pernell Roberts, Dirk Blocker: United States: B Western Django 2: Nello Rossati
The eighties were a phenomenal time for aficionados of the gruesome, the gory, and the ghoulish. We present a ranked rundown of the sixty finest horror films of the era.
Best of the Best: Bob Radler: Eric Roberts, James Earl Jones, Sally Kirkland: United States [267] A Better Tomorrow 3: Tsui Hark: Chow Yun-fat, Anita Mui, Tony Leung Kar-Fai: Hong Kong [268] Black Rain: Ridley Scott: Michael Douglas, Andy García, Ken Takakura: United States [269] Black Sheep Baby: Leonardo Garcia: Ronnie Ricketts, Monica ...
Industry professionals predicted comedy films and upbeat entertainment to dominate theaters in 1980. This was a response to poor morale in a nation suffering through economic recession, which generally increased theatrical visits as audiences sought escapism and ignored romantic films and depictions of blue-collar life.
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