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anamorphic format 1. The technique of shooting a widescreen picture on visual recording media with a non-widescreen native aspect ratio. 2. A projection format in which a distorted image is "stretched" by an anamorphic projection lens to recreate the original aspect ratio on the viewing screen. anamorphic widescreen angle of light angle of view
Format is the name of the process; some formats may have multiple names in common usage. Creator is the individual or company most directly attributable as the developer of the system. Year created usually refers to the earliest date that the system was used to completion (i.e. projection), but may refer to when it was developed if no known ...
This role varies, and may be combined with other roles, including aspects of scripting, casting, crewing, or distribution. There are often multiple EPs for a film, and each may work on multiple projects simultaneously. They tend to have experience in other roles, as producer, writer, director or script editor. Film director
A film crew is a group of people, hired by a production company, for the purpose of producing a film or motion picture.The crew is distinguished from the cast, as the cast are understood to be the actors who appear in front of the camera or provide voices for characters in the film.
Corporate titles or business titles are given to company and organization officials to show what job function, and seniority, a person has within an organisation. [1] The most senior roles, marked by signing authority, are often referred to as "C-level", "C-suite" or "CxO" positions because many of them start with the word "chief". [2]
Digital Cinema Initiatives, LLC (DCI) is a consortium of major motion picture studios, formed to establish specifications for a common systems architecture for digital cinema systems. The organization was formed in March 2002 by Metro-Goldwyn-Mayer , [ a ] Paramount Pictures , Sony Pictures , 20th Century Studios , [ b ] Universal Studios ...
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The DIT's role on-set has become especially prevalent through assisting cinematographers, normally accustomed to film stock, in achieving their desired look digitally. This is accomplished by the DIT through monitoring picture exposure, setting up Color Decision List ( CDL ) on daily basis and, if requested, "look up tables" ( LUTs ) for the ...