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The conservation and restoration of photographs is the study of the physical care and treatment of photographic materials. It covers both efforts undertaken by photograph conservators, librarians, archivists, and museum curators who manage photograph collections at a variety of cultural heritage institutions, as well as steps taken to preserve collections of personal and family photographs.
The photographic glass plates are stored vertically on the long side of the plate in storage boxes whose material is free of acid, lignin, polyvinyl chloride (PVC), dye, sulfur, and alum. The acidity of any paper storage used should show a pH between 7 and 8.5. [26] Glass plates should not be packed tightly and should not rub against each other.
Film is then dried in a dust-free environment, cut and placed into protective sleeves. Once the film is processed, it is then referred to as a negative. The negative may now be printed; the negative is placed in an enlarger and projected onto a sheet of photographic paper. Many different techniques can be used during the enlargement process.
The collection comprises 35,427 glass plates, ranging in size from 4 to 12 inches (100 to 300 mm), as well as almost 50,000 prints, and forms a detailed photographic record of Thailand (then known as Siam) during the country's period of modernization. [1] The collection was inscribed on the UNESCO Memory of the World Register in 2017. [2]
Glass plates were far superior to film for research-quality imaging because they were stable and less likely to bend or distort, especially in large-format frames for wide-field imaging. Early plates used the wet collodion process. The wet plate process was replaced late in the 19th century by gelatin dry plates.
Being printed on glass, orotone images are extremely fragile and often require specialized frames in order to prevent breakage. Other types of prints can be made with the same negative used to make an orotone. Consequently, silver gelatin prints and platinotypes (platinum and palladium prints) are also made by those who produce orotone prints ...
These products (nitric acid, nitric oxide and nitrogen dioxide) are destructive to other film-based negatives, and especially to photographic prints. Other artifacts, metals for instance, will be harmed by proximity to deteriorated nitrate material. Such gasses can cause skin, eye, and respiratory irritations.
The print must then be rinsed in water to removed the fixer. Photographic fixer is a mixture of chemicals used in the final step in the photographic processing of film or paper. The fixer stabilises the image, removing the unexposed silver halide remaining on the photographic film or photographic paper , leaving behind the reduced metallic ...
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