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Archibald Motley painting Blues (1929). The Chicago Black Renaissance (also known as the Black Chicago Renaissance) was a creative movement that blossomed out of the Chicago Black Belt on the city's South Side and spanned the 1930s and 1940s before a transformation in art and culture took place in the mid-1950s through the turn of the century.
Archibald John Motley, Jr. (October 7, 1891 – January 16, 1981), [1] was an American visual artist. Motley is most famous for his colorful chronicling of the African-American experience in Chicago during the 1920s and 1930s, and is considered one of the major contributors to the Harlem Renaissance, or the New Negro Movement, a time in which African-American art reached new heights not just ...
Chicago's black arts movement came to rival the vibrancy seen in New York's Harlem Renaissance, and Sebree benefited from connections with artists such as Margaret Taylor-Burroughs and Eldzier Cortor, as well as the network of support created through affiliations with such institutions as the South Side Community Arts Center and the Art Institute.
William Edouard Scott (March 11, 1884 – May 15, 1964) was an African-American artist. Before Alain Locke asked African Americans to create and portray the New Negro that would thrust them into the future, artists like William Edouard Scott were depicting blacks in new ways to break away from the subjugating images of the past.
Eldzier Cortor (January 10, 1916 – November 26, 2015) was an African-American artist and printmaker.His work typically features elongated nude figures in intimate settings, [1] influenced by both traditional African art and European surrealism.
Arthur B. Davies, Elysian Fields, undated, oil on canvas, The Phillips Collection (Washington, D. C.) The School of the Art Institute of Chicago was founded in 1879, from the remains of an earlier school founded in 1866 (thus the school predates the museum of the same name). [6]
Jarrell became involved in the Organization of Black American Culture (OBAC), a group that would serve as a launching pad for the era's Black Arts movement. In 1967, OBAC artists created the Wall of Respect, a mural in Chicago that depicted African American heroes and is credited with triggering the political mural movement in Chicago and beyond.
Sanford was part of the Second Wave (1941-1960) of the Chicago Black Renaissance of African-American artists [1] and embraced a wide range of styles and influences. An expressionist until 1945, Sanford was clearly influenced by and followed Pablo Picasso's cubism in his paintings, then switched to abstract expressionism for 18 years. During ...
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