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Archibald Motley painting Blues (1929). The Chicago Black Renaissance (also known as the Black Chicago Renaissance) was a creative movement that blossomed out of the Chicago Black Belt on the city's South Side and spanned the 1930s and 1940s before a transformation in art and culture took place in the mid-1950s through the turn of the century.
Archibald John Motley, Jr. (October 7, 1891 – January 16, 1981), [1] was an American visual artist. Motley is most famous for his colorful chronicling of the African-American experience in Chicago during the 1920s and 1930s, and is considered one of the major contributors to the Harlem Renaissance, or the New Negro Movement, a time in which African-American art reached new heights not just ...
School of the Art Institute of Chicago: Known for: Painting; visual art: Notable work: The Contribution of the Negro to American Democracy: Movement: New Negro Movement (Chicago Black Renaissance) Spouse(s) Elizabeth Catlett (m. 1941-1946; divorced) Frances Barrett (m. 1950-1979; his death) [1]
Chicago's black arts movement came to rival the vibrancy seen in New York's Harlem Renaissance, and Sebree benefited from connections with artists such as Margaret Taylor-Burroughs and Eldzier Cortor, as well as the network of support created through affiliations with such institutions as the South Side Community Arts Center and the Art Institute.
Her linocut series The Black Woman Speaks is among the first graphic series in Western art to depict the image of the American black woman as a heroic and complex human being. [ 41 ] : 46 Her work was influenced by the Harlem Renaissance movement [ 3 ] and the Chicago Black Renaissance in the 1940s and reinforced in the 1960s and 1970s with the ...
The Chicago Black Renaissance and women's activism (U of Illinois Press, 2023. Lemann, Nicholas. The Promised Land: The Great Migration and How It Changed America (1991). Logan, John R., Weiwei Zhang, and Miao David Chunyu. "Emergent ghettos: Black neighborhoods in New York and Chicago, 1880–1940." American Journal of Sociology 120.4 (2015 ...
Renaissance art largely excluded Black people, even as it emerged during the early phases of the transatlantic slave trade which ultimately brought 10.7 million African men, women and children to ...
Sanford was part of the Second Wave (1941-1960) of the Chicago Black Renaissance of African-American artists [1] and embraced a wide range of styles and influences. An expressionist until 1945, Sanford was clearly influenced by and followed Pablo Picasso's cubism in his paintings, then switched to abstract expressionism for 18 years. During ...