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The American punk band the Offspring recorded a cover version of this song as one of the two singles for their Greatest Hits album along with "Can't Repeat". It's the band's only song to feature drummer Atom Willard. "Next to You" was released as a single to promote Greatest Hits and it peaked at No. 29 on the Mainstream Rock Tracks chart. [5]
A FuniChar D-616 guitar with a Drop D tuning. It has an unusual additional fretboard that extends onto the headstock. Most guitarists obtain a Drop D tuning by detuning the low E string a tone down. This article contains a list of guitar tunings that supplements the article guitar tunings. In particular, this list contains more examples of open ...
"Wake Up (Next to You)" is a song written by British rock musician Graham Parker and performed by Graham Parker and the Shot. Inspired by Smokey Robinson, the song was crucial in convincing Elektra Records to allow Parker and producer William Wittman to record a full album. The song is also notable for Parker's breathy singing and its lush ...
"Next to You", a song by Twista, 2016 " Next to You, Next to Me ", a 1990 song by Shenandoah from Extra Mile (album) "Wake Up (Next to You)" (Graham Parker song) , 1985
The progression is also used entirely with minor chords[i-v-vii-iv (g#, d#, f#, c#)] in the middle section of Chopin's etude op. 10 no. 12. However, using the same chord type (major or minor) on all four chords causes it to feel more like a sequence of descending fourths than a bona fide chord progression.
Open G tuning allows for open strings and single-fret bar chords to be played in key which make techniques such as slide and steel guitar viable. Open G tuning is common in blues and folk music [2] (along with other open tunings). [1] [3]
You Can Play These Songs with Chords is an early (1996–97) demo from the rock band Death Cab for Cutie, which at the time consisted entirely of founder Ben Gibbard. This demo was originally released on cassette by Elsinor Records.
The song has been frequently covered, most notably a 1970 version by Al Green, a slower-paced version without multi-lead vocals. Green's cover, the title track of his 1971 LP Al Green Gets Next to You, reached No. 60 on the Billboard Hot 100, and No. 11 on the R&B chart. Annie Lennox also covered the song on her 1995 album Medusa.