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Early Christian art and architecture (or Paleochristian art) is the art produced by Christians, or under Christian patronage, from the earliest period of Christianity to, depending on the definition, sometime between 260 and 525. In practice, identifiably Christian art only survives from the 2nd century onwards. [1]
In Christian iconography plants appear mainly as attributes on the pictures of Christ or the Virgin Mary. Christological plants are among others the vine, the columbine, the carnation and the flowering cross, which grows out of an acanthus plant surrounded by tendrils. Mariological symbols include the rose, lily, olive, cedar, cypress and palm ...
Most Christian groups use or have used art to some extent, including early Christian art and architecture and Christian media. Images of Jesus and narrative scenes from the Life of Christ are the most common subjects, and scenes from the Old Testament play a part in the art of most denominations.
Coptic art is the Christian art of the Byzantine-Greco-Roman Egypt and of Coptic Christian Churches. Coptic art is best known for its wall-paintings, textiles, illuminated manuscripts, and metalwork, much of which survives in monasteries and churches. The artwork is often functional, as little distinction was drawn between artistry and ...
Christ in Majesty shown within a mandorla shape in a medieval illuminated manuscript. 13/14th c. seal of Stone Priory in Staffordshire, England, in the shape of a mandorla. A mandorla is an almond-shaped aureola, i.e. a frame that surrounds the totality of an iconographic figure.
It is found in art, architecture, heraldry and traditional Christian symbolism. [2] The word 'quatrefoil' means "four leaves", from the Latin quattuor , "four", plus folium , "leaf"; [ 3 ] the term refers specifically to a four-leafed clover , but applies in general to four-lobed shapes in various contexts.
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The fourfold version of an architectural trefoil is a quatrefoil. A simple trefoil shape in itself can be symbolic of the Trinity, [1] while a trefoil combined with an equilateral triangle was also a moderately common symbol of the Christian Trinity during the late Middle Ages in some parts of Europe, similar to a barbed quatrefoil. Two forms ...