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The Old Gray Mare, the horse in the eponymous song; Paul Revere, the horse from the song of the same name, Paul Revere, by the Beastie Boys; Een paard in de gang, a horse which somehow ended up in neighbour Jansen's hallway. From the eponymous song by comedian André van Duin. Pinto the wonder horse from the song by Tom T. Hall.
The practice of breeding a mare through human assisted means, with no contact between the stallion and mare. It is done for many reasons, including to protect the two animals, to allow a mare to be bred to a stallion a long distance away, [1]: 11 or to allow a stallion to be bred to a larger number of mares than would be possible via natural cover.
The Horses of Neptune, illustration by Walter Crane, 1893.. Horse symbolism is the study of the representation of the horse in mythology, religion, folklore, art, literature and psychoanalysis as a symbol, in its capacity to designate, to signify an abstract concept, beyond the physical reality of the quadruped animal.
The second is a link to the article that details that symbol, using its Unicode standard name or common alias. (Holding the mouse pointer on the hyperlink will pop up a summary of the symbol's function.); The third gives symbols listed elsewhere in the table that are similar to it in meaning or appearance, or that may be confused with it;
Rapa Nui tattoo tools, Manchester Museum. Tattoos, as well as other forms of art in Rapa Nui, blends anthropomorphic and zoomorphic imagery. [3] The most common symbols represented were of the Make-Make god, Moais, Komari (the symbol of female fertility), the manutara, and other forms of birds, fish, turtles or figures from the Rongo Rongo ...
This tattoo incorporates a sun and a yin-yang symbol into the semicolon. A yin-yang signifies the complementary forces that make up life on Earth ( 7 ). Image credits: @tatynpobkatattoostudio
Although known only from Roman contexts, the name Epona ('Great Mare') is from the Gaulish language; it is derived from the inferred Proto-Celtic *ekĘ·os 'horse', [5] which gives rise to modern Welsh ebol 'foal', together with the augmentative suffix-on frequently, although not exclusively, found in theonyms (for example Sirona, Matrona) and the usual Gaulish feminine singular -a. [6]
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