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The pomegranate (Punica granatum) is a fruit-bearing deciduous shrub in the family Lythraceae, subfamily Punicoideae, that grows between 5 and 10 m (16 and 33 ft) tall.. Rich in symbolic and mythological associations in many cultures, it is thought to have originated from Afghanistan and Iran before being introduced and exported to other parts of Asia, Africa, and Eur
By the 15th century, they were creating bold and intricate variations on an undulating "pomegranate pattern" (a name applied later, to encompass any design incorporating the pomegranate motif, even where the motifs came to more closely resemble flora such artichokes, thistles, lotus and palmettes). These grand, symmetrical, vegetal designs were ...
The smaller pomegranate floating between two droplets of water may symbolize Venus, especially because of the heart-shaped shadow it casts. [7] It may also be used as a Christian symbol of fertility and resurrection. [8] This female symbolism may contrast with the phallic symbolism of the threatening creatures. [7]
The pomegranate motif design, included in Eleonora's dress, has a long history that had originated in the Middle East and became a popular design around the world by the sixteenth century. [2] Using a damask with a pomegranate motif was very common, and considered one of Florence's most successful products.
The Madonna of the Pomegranate is a painting by the Italian Renaissance artist, Alessandro di Mariano di Vanni dei Filipepi (1445–1510), better known as Sandro Botticelli. [1] Botticelli was born and raised in Florence, where he spent a majority of his life as one of the most admired artists of the Florentine Renaissance .
Symbolism Images Gourd Single gourd Fertility [3] Double gourd Associated with deities and immortals [3] Peaches: Peach fruit Associated with the god Shoulao (god of longevity); symbol of a long life. [3] Peaches of immortality: Peach of immortality Peach and Chinese character shou Pomegranates: Pomegranate fruit Whole pomegranate fruit
The Anar Pari, or Pomegranate Fairy is an Indian folktale collected by Alice Elizabeth Dracott from Simla. The tale is a local form of tale type ATU 408, " The Love for Three Oranges ", of the international Aarne-Thompson-Uther Index .
In their critique of the painting, museum Le Mostre Impossibili opined that "the delicate face of the Madonna acquires soft rosy light from the gold that bursts from her clothing, where we see the brocade motif of the pomegranate, so beloved by the upper classes of the period and returning, in stylised form, in the velvet vestment that forms ...