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  2. Fourth dimension in art - Wikipedia

    en.wikipedia.org/wiki/Fourth_dimension_in_art

    An associate of the School of Paris —a group of avant-gardists including Pablo Picasso, Guillaume Apollinaire, Max Jacob, Jean Metzinger, and Marcel Duchamp —Princet is credited with introducing the work of Henri Poincaré and the concept of the "fourth dimension" to the cubists at the Bateau-Lavoir during the first decade of the 20th century.

  3. Four-dimensional space - Wikipedia

    en.wikipedia.org/wiki/Four-dimensional_space

    Four-dimensional space

  4. Four-dimensional product - Wikipedia

    en.wikipedia.org/wiki/Four-dimensional_product

    A four-dimensional product (4D product) considers a physical product as a life-like entity capable of changing form and physical properties autonomously over time. It is an evolving field of product design practice and research linked to similar concepts at the material scale (programmable matter and four-dimensional printing), however, typically utilizes sensors and actuators in order to ...

  5. Crucifixion (Corpus Hypercubus) - Wikipedia

    en.wikipedia.org/wiki/Crucifixion_(Corpus_Hyper...

    194.3 cm × 123.8 cm (76.5 in × 48.7 in) Location. Metropolitan Museum of Art, New York City. Crucifixion (Corpus Hypercubus) is a 1954 oil-on-canvas painting by Salvador Dalí. A nontraditional, surrealist portrayal of the Crucifixion, it depicts Christ on a polyhedron net of a tesseract (hypercube). It is one of his best-known paintings from ...

  6. List of mathematical artists - Wikipedia

    en.wikipedia.org/wiki/List_of_mathematical_artists

    Sculptures of minimal surfaces, saddle surfaces, and other mathematical concepts [36] Man Ray. 1890–1976. Fine art. Photographs and paintings of mathematical models in Dada and Surrealist art [37] Naderi Yeganeh, Hamid. 1990–. Fine art.

  7. Four-dimensionalism - Wikipedia

    en.wikipedia.org/wiki/Four-dimensionalism

    Four-dimensionalism. In philosophy, four-dimensionalism (also known as the doctrine of temporal parts) is the ontological position that an object's persistence through time is like its extension through space. Thus, an object that exists in time has temporal parts in the various subregions of the total region of time it occupies, just like an ...

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