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The conservation-restoration of panel paintings involves preventive and treatment measures taken by paintings conservators to slow deterioration, preserve, and repair damage. Panel paintings consist of a wood support, a ground (linen or parchment sized with glues, resin, and gesso), and an image layer (encaustic, tempera, oil). [1]
High temperature softens paint. low temperature causes brittle paint. Oil Paint [23] 40–45% or 45–45%: Expansion and contraction of painting, wood and fabric absorb moisture or shrink, paint cracks and flakes, or sags: max 200 lux: Fading or darkening of painting: 65 °F–70 °F or 70 °F–75 °F: Expansion and contraction of painting ...
alkyd ground is made of "oil-modified alkyd resin" (oil is added to improve drying) and are in use since the 1960s. Titanium white is used for color; oil ground was a lean lead-based primer, no longer used due to being a health hazard, modern "oil ground" is actually alkyd; genuine gesso ground is a lean ground typically used on top of the boards;
Example of a cradled panel, mounted on the back of a painting by Aert van der Neer Example of an oak panel in its original state, the back of a Jan Davidsz. de Heem still life. Cradling is a process used in the restoration and preservation of paintings on wooden panel .
With paintings, a variety of organic solvents are used, but the most common solvent is water, often with chelating agents, surfactants or salts to control pH. Applying solutions through tissues, gels and sponges is becoming the norm, due to the level of control offered by holding the cleaning system at the upper surface of the art.
Mold is a probable consequence of water damage to parchment, especially when the object is not dried within 48 hours of the initial contact with water. [14] Heat: Heat in excess of the ideal storage conditions can cause damage to collagen structure, irreversible contraction and alteration of surface materials in parchment objects. [2] Light ...
Oil painting is a painting method involving the procedure of painting with pigments combined with a drying oil as the binder. It has been the most common technique for artistic painting on canvas , wood panel or copper for several centuries.
However, their handling is slightly different: when thinned with water to a considerably liquid phase, water miscible oil paint tends to feel and behave like watercolor (although, unlike watercolor, and to a greater extent than traditional oil, it may lose adhesion to the ground or support if over-thinned); by contrast, when used as a short ...
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