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Home Alone: Original Motion Picture Soundtrack is the soundtrack of the 1990 film of the same name. [1] The score was composed by John Williams and nominated for the Academy Award for Best Original Score; the film's signature tune "Somewhere in My Memory" was nominated for the Academy Award for Best Original Song and the Grammy Award for Best Song Written for Visual Media.
Nominated—Grammy Award for Best Song Written Specifically for a Motion Picture or Television ("Somewhere in My Memory," lyrics by Leslie Bricusse) 1991 Hook: Steven Spielberg: Amblin Entertainment TriStar Pictures: Nominated—Academy Award for Best Original Song ("When You're Alone," lyrics by Leslie Bricusse)
Best Original Song, 1970 – "Thank You Very Much" from Scrooge; Best Adaptation and Original Song Score, 1971 – Willy Wonka & the Chocolate Factory' Best Original Song, 1986 – "Life in a Looking Glass" from That's Life! Best Original Song, 1990 – "Somewhere in My Memory" from Home Alone; Best Original Song, 1991 – "When You're Alone ...
"Somewhere", sometimes referred to as "Somewhere (There's a Place for Us)" or simply "There's a Place for Us", is a song from the 1957 Broadway musical West Side Story that was made into films in 1961 and 2021. The music is composed by Leonard Bernstein with lyrics by Stephen Sondheim.
Maurice-Alexis Jarre (French pronunciation: [mɔʁis alɛksi ʒaʁ]; 13 September 1924 – 28 March 2009) [1] [2] [3] was a French composer and conductor. Jarre is best known for his film scores, particularly for his collaborations with film director David Lean composing all of his films from 1962 to 1984.
This version of the classic Christmas song was written just for David Bowie and Bing Crosby's 1977 performance, and remains the most moving rendition ever recorded. 4. Elton John, "Step Into ...
The album features a number of songs Barry wrote in collaboration with his lyricist friend, Don Black. Barry and Black also composed one of the songs on Shirley Bassey's 2009 album, The Performance. The song, entitled "Our Time Is Now", is the first written by the duo for Bassey since "Diamonds Are Forever". [25]
Another headline master, Vincent A. Musetto, was the Post’s resident beatnik.Erratic, confrontational, and sometimes violent, Musetto was a polarizing figure in the newsroom and beyond.