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In linguistics, intonation is the variation in pitch used to indicate the speaker's attitudes and emotions, to highlight or focus an expression, to signal the illocutionary act performed by a sentence, or to regulate the flow of discourse. For example, the English question "Does Maria speak Spanish or French
Tone is the use of pitch in language to distinguish lexical or grammatical meaning—that is, to distinguish or to inflect words. [1] All oral languages use pitch to express emotional and other para-linguistic information and to convey emphasis, contrast and other such features in what is called intonation, but not all languages use tones to distinguish words or their inflections, analogously ...
In filmmaking, a pitch is a concise verbal (and sometimes visual) presentation of an idea for a film or TV series generally made by a screenwriter or film director to a film producer or studio executive in the hope of attracting development finance to pay for the writing of a screenplay. [1] The expression is borrowed from "sales pitch". [2]
[12] This is the pitch that all unstressed syllables rest on. A stressed syllable is one that is emphasized, or has prominence. In contrast to an unstressed syllable, a stressed syllable has a higher pitch. In musical terms, this pitch is commonly a perfect fourth, perfect fifth, or even minor third, above the voice’s tonic. A stressed ...
The exchange above is an example of using intonation to highlight particular words and to employ rising and falling of pitch to change meaning. If read out loud, the pitch of the voice moves in different directions on the word "cat." In the first line, pitch goes up, indicating a question.
Several short contours may carry an additional overall gradual decline in pitch and slowing of tempo; this larger unit is termed a declination unit (DU). At the boundaries ( pauses ) between declination units, the pitch and tempo reset ; for this reason the final one of the shorter internal contours is said to have final prosody, whereas the ...
High concept is a type of artistic work that can be easily pitched with a succinctly stated premise. [1] It can be contrasted with low concept, which is more concerned with character development and other subtleties that are not as easily summarized.
A good example is the work of John J. Gumperz on language and social identity, which specifically describes paralinguistic differences between participants in intercultural interactions. [5] The film Gumperz made for BBC in 1982, Multiracial Britain: Cross talk , does a particularly good job of demonstrating cultural differences in paralanguage ...