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All-fifths tuning is a tuning in intervals of perfect fifths like that of a mandolin, cello or violin; other names include "perfect fifths" and "fifths". [25] Consequently, classical compositions written for violin or guitar may be adapted to all-fifths tuning more easily than to standard tuning.
Claudius Ptolemy of Alexandria described several 7-limit tuning systems for the diatonic and chromatic genera. He describes several "soft" (μαλακός) diatonic tunings which all use 7-limit intervals. [7] One, called by Ptolemy the "tonic diatonic," is ascribed to the Pythagorean philosopher and statesman Archytas of Tarentum.
This tuning also matches standard vihuela tuning and is often employed in classical guitar transcriptions of music written for those instruments, such as, for instance, "La Canción Del Emperador" and "Diferencias Sobre Guardame Las Vacas" by Renaissance composer Luis de Narváez, or music inspired by this style, such as "Pavanna" and "Bicycle ...
The total chromatic is the collection of all twelve equally tempered pitch classes of the chromatic scale. List of chromatic chords: Dominant seventh chords of subsidiary keys, used to create modulations to those keys (V 7 –I cadences) Augmented sixth chords; Neapolitan sixth chords as chromatic subdominants; Diminished seventh chords as ...
Tuners at the next price point offer chromatic tuning, the ability to detect and assess all the pitches in the chromatic scale (e.g., C, C ♯, D, D ♯, etc.). Chromatic tuners can be used for B ♭ and E ♭ brass instruments, such as saxophones and horns. Many models have circuitry that automatically detects which pitch is being played, and ...
The movie, premiering this month, is based on real events in the early 1990s, when a group of young people in Cuba were looking for freedom from government repression.
Richter tuning is a system of choosing the reeds for a diatonic wind instrument (such as a harmonica or accordion).It is named after Joseph Richter, a Bohemian instrument maker who adopted the tuning for his harmonicas in the early 19th century and is credited with inventing the blow/draw mechanism that allows the harmonica to play different notes when the air is drawn instead of blown.
Bartók's twelve-tone Phrygian/Lydian polymode, however, differed from the chromatic scale as used by, for example, late-Romantic composers like Richard Strauss and Richard Wagner. During the late 19th century the chromatic altering of a chord or melody was a change in strict relation to its functional non-altered version. Alterations in the ...
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