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The argument from reason is a transcendental argument against metaphysical naturalism and for the existence of God (or at least a supernatural being that is the source of human reason). The best-known defender of the argument is C. S. Lewis .
Ward defended the utility of the five ways (for instance, on the fourth argument he states that all possible smells must pre-exist in the mind of God, but that God, being by his nature non-physical, does not himself stink) whilst pointing out that they only constitute a proof of God if one first begins with a proposition that the universe can ...
Pascal begins by painting a situation where both the existence and non-existence of God are impossible to prove by human reason. So, supposing that reason cannot determine the truth between the two options, one must "wager" by weighing the possible consequences.
The Transcendental Argument for the existence of God (TAG) is an argument that attempts to prove the existence of God by appealing to the necessary conditions for the possibility of experience and knowledge. [1] A version was formulated by Immanuel Kant in his 1763 work The Only Possible Argument in Support of a Demonstration of the Existence ...
The argument from morality is an argument for the existence of God. Arguments from morality tend to be based on moral normativity or moral order. Arguments from moral normativity observe some aspect of morality and argue that God is the best or only explanation for this, concluding that God must exist.
The argument from degrees, also known as the degrees of perfection argument or the henological argument, [104] is an argument for the existence of God first proposed by mediaeval Roman Catholic theologian Thomas Aquinas as one of the five ways to philosophically argue in favour of God's existence in his Summa Theologica.
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In the Dialogues, Hume's characters debate a number of arguments for the existence of God, and arguments whose proponents believe through which we may come to know the nature of God. Such topics debated include the argument from design —for which Hume uses a house as an analogy—and whether there is more suffering or good in the world ...