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Trench warfare is a type of land warfare using occupied lines largely comprising military trenches, in which combatants are well-protected from the enemy's small arms fire and are substantially sheltered from artillery.
Protest songs in the United States are a tradition that dates back to the early 18th century and have persisted and evolved as an aspect of American culture through the present day. Many American social movements have inspired protest songs spanning a variety of musical genres including but not limited to rap , folk , rock , and pop music.
The terms used most frequently at the start of the war to describe the area between the trench lines included 'between the trenches' or 'between the lines'. [11] The term 'no man's land' was first used in a military context by soldier and historian Ernest Swinton in his short story "The Point of View". [ 1 ]
The "Battle Cry of Freedom", also known as "Rally 'Round the Flag", is a song written in 1862 by American composer George Frederick Root (1820–1895) during the American Civil War. A patriotic song advocating the causes of Unionism and abolitionism , it became so popular that composer H. L. Schreiner and lyricist W. H. Barnes adapted it for ...
The "Battle Hymn of the Republic" is an American patriotic song written by the abolitionist writer Julia Ward Howe during the American Civil War. Howe adapted her song from the soldiers' song "John Brown's Body" in November 1861, and sold it for $4 to The Atlantic Monthly [1] in February 1862.
Slave Songs of the United States, title page Michael Row the Boat Ashore Nobody Knows the Trouble I've Seen. Slave Songs of the United States was a collection of African American music consisting of 136 songs. Published in 1867, it was the first, and most influential, [1] [2] collection of spirituals to be published.
Frederick Douglass was an escaped slave and abolitionist author. In his 19th-century autobiography, Narrative of the Life of Frederick Douglass, an American Slave (1845), Douglass gives examples of how the songs sung by slaves had multiple meanings. His examples are sometimes quoted to support the claim of coded slave songs.
Music and political warfare have been used together in many different political contexts and cultures as a way to reach a targeted audience in order to deliver a specific political message. Political warfare , as defined by Paul A. Smith, is the "use of political means to compel an opponent to do one's will... commonly through the use of words ...