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In 1998, it went global by establishing the first Philippine radio station to conquer the United States airwaves through WRMN in New York City. In June 2007, RMN FM station DWKC 93.9 in Manila was the first commercial station in the country to broadcast with HD Radio technology. It broadcast in three HD Radio digital audio channels along with ...
Retrieved from "https://en.wikipedia.org/w/index.php?title=WRMN_New_York&oldid=1160219339"
WRMN (1410 kHz) is a commercial AM radio station licensed to Elgin, Illinois. [2] It serves the Fox Valley in the northwest suburbs of Chicago. [3] The station's broadcast license is held by Elgin Community Broadcasting LLC. It has a format of talk radio shows and shopping programs. By day, WRMN is powered at 1,000 watts non-directional.
The speaker begins half an hour before sunset, and continues into the evening with a description comparing the tides to the attraction of New York City. Cataloguing and an appeal of the body and soul feature prominently in the poem, relating to Whitman's experiences in growing up in Brooklyn from 1823 to 1833 and then 1845 to 1863.
Gorman told The New York Times that she had been struggling to complete the poem and worrying about whether it would be adequate. [6] In an interview with CBS News, she said that the storming marked "the day that the poem really came to life" as she worked the events into it. [5] Gorman finished the poem on the night of January 6. [8]
"Locksley Hall" is a poem written by Alfred Tennyson in 1835 and published in his 1842 collection of Poems. It narrates the emotions of a rejected suitor upon coming to his childhood home, an apparently fictional Locksley Hall, though in fact Tennyson was a guest of the Arundel family in their stately home named Loxley Hall, in Staffordshire, where he spent much of his time writing whilst on ...
The poem, originally titled A Visit or A Visit From St. Nicholas, was first published anonymously on Dec. 23, 1823, in a Troy, New York newspaper called The Sentinel.
The poem employs alliteration, anaphora, simile, satire, and internal rhyme but no regular end rhyme scheme. However, lines 1 and 2 and lines 6 and 8 end with masculine rhymes. Dickinson incorporates the pronouns you, we, us, your into the poem, and in doing so, draws the reader into the piece. The poem suggests anonymity is preferable to fame.