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The size of Rugeri's cellos is now the standard. [1] [21] His cello is 4 inches (10 cm) smaller than cellos made by other Cremonese luthiers of the same period, namely, Amati and Stradivari. [22] Cellos made by other luthiers of the period are often quite massive and fairly unmanageable for modern players' usage unless severely cut down in size ...
Matteo Goffriller (1659–1742) was a Venetian luthier, particularly noted for the quality of his cellos.He was active between 1685–1735 and was the founder of the "Venetian School" of luthiers, [1] during a time when Venice was one of the most important centers of musical activity in the world.
The size of these is described by a "conventional" fraction that has no mathematical significance. For example, a 7/8 violin has a scale of about 317 mm, a 3/4-size instrument a scale of 307 mm, a half-size one 287 mm, and a quarter-size one 267 mm. 1/8, 1/10, 1/16 and 1/32 and even 1/64 violins also exist, becoming progressively smaller, but ...
The sizes, names, and tunings of the cello varied widely by geography and time. [10] The size was not standardized until c. 1750. Despite similarities to the viola da gamba, the cello is actually part of the viola da braccio family, meaning "viol of the arm", which includes, among others, the violin and viola.
The playing ranges of the instruments in the violin family overlap each other, but the tone quality and physical size of each distinguishes them from one another. The ranges are as follows: violin: G 3 to E 7 (practical, notes up to A7 are possible); viola: C 3 to A 6 (conservative); violoncello: C 2 to A 5 (conservative); and double-bass: E 1 to C 5 (slightly expanded from conservative estimate).
The Medici Cello is one of the only three surviving Stradivari cellos of large dimensions that have not been reduced in size [230] Barjansky: 1690 Alexandre Barjansky Julian Lloyd Webber [231] ex-Gendron; ex-Lord Speyer: 1693 Edgar Speyer; Kunststiftung NRW: On loan to Maria Kliegel; previously loaned to Maurice Gendron (1958–1990). Spanish ...
Kim graduated with a Bachelors in cello performance and her Artist’s Diploma and joined him at Eastman where she finished her Masters in Music and won a job with the Rochester Symphony while ...
It is widely believed that Suite No. 6 was composed specifically for a five-stringed violoncello piccolo, a smaller cello, roughly 7 ⁄ 8 normal cello size with a fifth upper string tuned to E, a perfect fifth above the otherwise top string.
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