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Maple was the only neck option and the headstock retained the version one telecaster profile. Due to Kluson going out of business in 1981, Fender introduced the 70's style F tuners on the 1982 Bullets and used the Fender logo, sealed tuners on the 1983 Bullet; both tuners were made by Schaller in W. Germany. Five models were marketed - the ...
(Most Fender guitars, modern Gibson, Floyd Rose bridges) 2.01" 51 mm 0.402" 10.2 mm Very close to bridge, extra pickup (Roland GK series hexaphonic) 2.060" 52.3 mm 0.412" 10.5 mm Telecaster spacing (Fender Telecaster guitars) 2.165" 55 mm 0.433" 11 mm Steinberger Spirit GT-Pro spacing (may be typical for other Steinberger guitars) 2.362" 60 mm ...
Frank Bello on his Fender signature bass. [6] Mike Dirnt , Badass II on a Fender Precision Bass made in the Fender Custom Shop, [7] the source of the signature Mike Dirnt Precision Bass. [8] Steve Harris (Iron Maiden), Badass II bridge on his Fender Precision Bass. Kirk Hammett (Metallica, formerly Exodus), on his 1974 Gibson Flying V.
The Fender Precision Bass (or "P-Bass") is a model of electric bass guitar manufactured by Fender Musical Instruments Corporation.In its standard, post-1957 configuration, the Precision Bass is a solid body, four-stringed instrument usually equipped with a single split-coil humbucking pickup and a one-piece, 20-fret maple neck with rosewood or maple fingerboard.
The Fender Bass VI, originally known as the Fender VI, is a six-string electric bass guitar made by Fender. The instrument is tuned an octave below a standard electric guitar . It is thus similar to an electrified, single-course version of the bajo sexto , an acoustic 12-string bass guitar from Mexico, or an electric contrabass guitar .
The Fender Stratocaster is one of the most iconic electric guitar models of all time, [3] and along with the Gibson Les Paul, Gibson SG, and Fender Telecaster, it is one of the most-often emulated electric guitar shapes, [4] [5] It is a patented design, and "Stratocaster" and "Strat" are Fender trademarks.
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This is a history of the equipment that the English rock band The Who used. It also notes their influence on the instruments of the time period. As their sound developed with each album, and their audience expanded with each tour, John Entwistle and Pete Townshend, supported by sound engineer Bob Pridden, became known for constantly changing their stage equipment.