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The episode was up slightly from the previous season finale, but less than Fringe ' s fourth-season premiere rating of 1.5. [42] [43] Fringe reached its lowest ratings ever with the episode "The Boy Must Live" which first aired in the United States on January 11, 2013 on Fox to an estimated 2.44 million viewers, and earned a ratings share of 0. ...
"The Recordist" is the third episode of the fifth and final season of the American Fox science fiction/drama television series Fringe, and the show's 90th episode overall. The episode aired in the United States on October 12, 2012. [1] It was written by Graham Roland and directed by Jeff T. Thomas.
Fringe is an American science fiction television series that originally aired on the Fox network from September 9, 2008, to January 18, 2013. [1] [2] The series follows the Fringe Team as it investigates bizarre scientific occurrences related to "The Pattern", a string of freak, fringe science–related incidents worldwide.
"Liberty" is the twelfth episode of the fifth season of the Fox science-fiction/drama television series Fringe, and the show's 99th and penultimate episode. It aired on January 18, 2013, with the series finale, "An Enemy of Fate", in the United States on Fox and in the UK and Ireland on Sky1. [1]
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He commented, "Fringe gave us a good episode that puts another important piece of the puzzle in place and brings back an old friend." [3] Noel Murray of The A.V. Club found the episode enjoyable due to its strangeness, noting that it is a much quieter and less action-packed than previous episodes. He rated the episode a "B+" grade. [4]
"Anomaly XB-6783746" was written by co-executive producer David Fury, marking his third writing of the season. Fury wrote a total of seven episodes while on the writing staff for the final two seasons. It was directed by Jeffrey Hunt, who directed four episodes for the series, including season four's "The End of All Things", which Fury also wrote.
Zack Handlen of The A.V. Club rated "An Origin Story" an "A", citing that it did an excellent job in handling the fallout from Etta's death in "a way that never becomes overly self-indulgent or grim", and that " the mourning we do get is direct, powerful, and, most important of all, relevant not just to the characters’ emotions in the moment, but also to this season's, and this show's ...
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