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Download QR code; Print/export ... This is a list of original Roman Catholic hymns. The list does not contain hymns originating from other Christian traditions ...
The assumption of Mary is praised in numerous songs from the 10th century, [13] In several songs, Mary is praised to be above all saints and angels and participates in the kingdom of her son. Her assumption is “wished by the faithful people” in a song from the 12th century. [14] The Marian songs and hymns in this epoch are too numerous to ...
The Hyde version of the hymn specifically, which is more commonplace than its counterpart, has been used in at least three hymnals, [6] [7] and was the version used in a cover of the hymn by the Catholic religious sisters congregation, the Daughters of Mary, Mother of Our Savior, for their likewise-named 1998 album "Mary of Graces". [8] [9]
Flos Carmeli (Latin, "Flower of Carmel") is a Marian Catholic hymn and prayer honouring Our Lady of Mount Carmel.. In the Carmelite Rite of the Mass, this hymn was the sequence for the Feast of Saint Simon Stock (c. 1165 - 1265), and since 1663, for the Feast of Our Lady of Mount Carmel on 16 July throughout the Latin liturgical rites.
Eastern Orthodox icon of the Praises of the Theotokos, before which the Akathist hymn to Mary may be chanted. Marian hymns are Christian songs focused on Mary, mother of Jesus. They are used in devotional and liturgical services, particularly by the Roman Catholic, Eastern Orthodox, Oriental Orthodox, Anglican, and Lutheran churches. [citation ...
Many of the contemporary artists who authored the folk music that was used in American Catholic Liturgy choose F.E.L. to be their publisher, as did Ray Repp, who pioneered contemporary Catholic liturgical music and authored the "First Mass for Young Americans", a suite of folk-style musical pieces designed for the Catholic liturgy. Repp gave an ...
" Dein Lob, Herr, ruft der Himmel aus" (Your Praise, Lord, Heaven proclaims) is a German Catholic hymn. Adolf Lohmann adapted a 1659 hymn by the Jesuit astronomer Albert Curtz, who paraphrased Psalm 19. The melody appeared in Augsburg in 1669. It was No. 1 in the 1938 hymnal Kirchenlied and is part of the German Catholic hymnal Gotteslob as GL 381.
It is also known as the Lourdes Hymn, a term which also refers to the hymn tune itself. It is often sung in honour of the Immaculate Conception of the Blessed Virgin Mary. [1] The earliest version of the hymn was written in 1873 by French priest and seminary director Jean Gaignet, for pilgrims to the site of the apparitions of Our Lady of Lourdes.