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Duo for soprano saxophone and alto saxophone (1981)—Gordon Jacob Quartet for flute, alto saxophone, guitar and solo percussion (1982)— Kalevi Aho Linker Augentanz (Left-Eye Dance) for 7 (or 11) saxophones, synthesizer and percussion (1983/90)— Karlheinz Stockhausen
Mule's lack of enthusiasm may have been partly because, in the original key of F major, the solo part extends into the altissimo register, with frequent occurrences of the (notated) high F ♯ and G. Mule owned a Selmer Mark VI soprano saxophone, which does not have the keywork required to quickly and easily play in this extended range. [8]
The Soprano Sax Concerto is a concerto for soprano saxophone and orchestra by the American composer Jennifer Higdon.The work was originally commissioned by the Minnesota Commissioning Club as Higdon's Oboe Concerto and was premiered by oboist Kathy Greenbank and the Saint Paul Chamber Orchestra in 2005.
Despite being a common grouping in jazz, saxophone, piano and percussion was an extremely rare grouping in classical music until the end of the 20th century, when Trio Accanto started commissioning works to build a repertoire for themselves.
He played the soprano saxophone solo on the number-one hit single "Listen to What the Man Said" by the band Wings. In 1976, he played the theme "I Still Can't Sleep" in Taxi Driver. [7] Scott also composed the soundtrack for 1980's Stir Crazy. [8] In 1982, he collaborated with Johnny Mathis on "Without Us", the theme to the 1980s sitcom Family ...
Julian Smith, inspired by the work of Kenny G, placed third [6] on Britain's Got Talent in 2009, doing a solo performance in each of three appearances with a soprano saxophone. In some popular music interpretations, the soprano saxophone is commonly paired with FM-type electric piano and electronic drum sounds to create a smooth, R&B-like
These Thanksgiving songs, including tunes spanning virtually all genres (including kids' songs!), will get you into the grateful spirit. Rock this playlist while cooking and gobbling down your ...
The genre of solo saxophone has a rich, but largely unmapped history in contemporary music, particularly jazz. [1] Many, but not all, musicians who play and record solo saxophone use extended techniques, a vocabulary of the saxophone beyond its normal range.
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