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Julian Smith, inspired by the work of Kenny G, placed third [6] on Britain's Got Talent in 2009, doing a solo performance in each of three appearances with a soprano saxophone. In some popular music interpretations, the soprano saxophone is commonly paired with FM-type electric piano and electronic drum sounds to create a smooth, R&B-like
The "sheets of sound" approach can be heard as early as the 1957 collaboration with Monk in solos like the one on "Trinkle, Tinkle" from the album Thelonious Monk with John Coltrane. [4] Coltrane's live performance of "If I Were a Bell" with the Miles Davis sextet on September 9, 1958, well exemplifies his use of the "sheets of sound" during ...
Entführung (Abduction) for soprano saxophone and electronic and concrete music (1986/2004)—Karlheinz Stockhausen Due a due for soprano saxophone and percussion (1987)— Bertold Hummel Aragonesca for soprano/alto saxophone, bass clarinet, violin and cello (1987)— Dave Smith
The saxophone is used in a wide range of musical styles including classical music (such as concert bands, chamber music, solo repertoire, and occasionally orchestras), military bands, marching bands, jazz (such as big bands and jazz combos), and contemporary music. The saxophone is also used as a solo and melody instrument or as a member of a ...
As a composer, he frequently scored for the saxophone. In chamber music, the most important examples include the Sexteto místico for flute, oboe, alto saxophone, harp, guitar, and celesta (1917), Quarteto simbólico for flute, alto saxophone, harp, celesta and women's voices (1921), the Nonet (1923), Chôros No. 3 and No. 7 (1925 and 1924 ...
Steve Lacy (born Steven Norman Lackritz; July 23, 1934 – June 4, 2004) was an American jazz saxophonist and composer recognized as one of the important players of soprano saxophone. [1] Coming to prominence in the 1950s as a progressive dixieland musician, Lacy went on to a long and prolific career.
The Soprano Sax Concerto is a concerto for soprano saxophone and orchestra by the American composer Jennifer Higdon.The work was originally commissioned by the Minnesota Commissioning Club as Higdon's Oboe Concerto and was premiered by oboist Kathy Greenbank and the Saint Paul Chamber Orchestra in 2005.
The genre of solo saxophone has a rich, but largely unmapped history in contemporary music, particularly jazz. [1] Many, but not all, musicians who play and record solo saxophone use extended techniques, a vocabulary of the saxophone beyond its normal range.
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