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Evening wear was worn with a white bow tie and a shirt with the new winged collar. Topcoats had wide lapels and deep cuffs, and often featured contrasting velvet collars. Furlined full-length overcoats were luxury items in the coldest climates. Full-length trousers were worn for most occasions; tweed or woollen breeches were worn for hunting ...
Western wear is a category of men's and women's clothing which derives its unique style from the clothes worn in the 19th century Wild West. It ranges from accurate historical reproductions of American frontier clothing, to the stylized garments popularized by Western film and television or singing cowboys such as Gene Autry and Roy Rogers in ...
The Invention of the Western Film: A Cultural History of the Genre's First Half Century. New York: Cambridge University Press. ISBN 0-521-55581-7. Hearne, Joanna (2013). Native Recognition: Indigenous Cinema and the Western. Albany, NY: SUNY Press. Liza Black. 2020. Picturing Indians: Native Americans in Film, 1941-1960.
Movie star Tom Mix with a Stetson. Entertainers who promoted cowboy and western culture in the late 19th and early 20th centuries popularized Stetson designs. Buffalo Bill had custom hats with very wide brims made for his Wild West shows, with later designs created for Hollywood including the Tom Mix style "ten-gallon" hats used in Western films.
Western horsemen's dusters figured little in Western films until Sergio Leone re-introduced them in his movies The Good, the Bad, and the Ugly (1966) and Once Upon a Time in the West (1968). According to production designer Carlo Simi , Leone was fond of dusters.
4. Tombstone, Arizona. Tombstone became a boomtown after a silver-mining strike in the late 1870s. It's most infamous for a shootout at the O.K. Corral, a gunfight that involved Wyatt Earp, Earp's ...
The following list of cowboys and cowgirls from the frontier era of the American Old West (circa 1830 to 1910) was compiled to show examples of the cowboy and cowgirl genre. Cattlemen, ranchers, and cowboys
The film begins in 1874, when John Clum arrives in Tucson, Arizona as the new Indian agent of the San Carlos Apache Indian Reservation. He meets with Arizona Territory Governor Safford and Army General Wade, both of whom mock the Department of the Interior's decision to change its policy toward the Apache, Wade calling them "savages".
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